Tap Dancing: Reports of Our Death Have Been Grossly Exaggerated
Margaret Morrison reviews “What the Eye Hears: A History of Tap Dancing” by Brian Seibert.
"Hegel was right when he said that we learn from history that man can never learn anything from history." — George Bernard Shaw
Margaret Morrison reviews “What the Eye Hears: A History of Tap Dancing” by Brian Seibert.
Margaret MorrisonSep 18, 2016
Robert Zaretsky on Alice Kaplan's "Looking For 'The Stranger'."
Robert ZaretskySep 15, 2016
Tiffancy Hearsey witnesses the "arrested decay" of Rockhaven Sanitarium in Glendale and reconsiders our approach to women’s mental health.
Tiffany HearseySep 15, 2016
David Hering offers an excerpt from his new book "David Foster Wallace: Fiction and Form."
David HeringSep 14, 2016
Colin Marshall takes the measure of “Ametora: How Japan Saved American Style” by W. David Marx.
Colin MarshallSep 12, 2016
Donal Harris reviews Wendy Griswold’s “American Guides: The Federal Writers’ Project and the Casting of American Culture.”
Donal HarrisSep 4, 2016
Tom Kohut appreciates “The Chaplin Machine” by Owen Hatherley, which offers a reevaluation of the Soviet avant-garde.
Tom KohutSep 3, 2016
What can a biographer do when their subject is elusive? John T. Scott finds out in his review of Catherine Fletcher's "The Black Prince of Florence."
John T. ScottAug 31, 2016
John T. McGreevy on "The Origins of American Religious Nationalism" by Sam Haselby.
John T. McGreevyAug 25, 2016
“Cartographic Japan” gives a history of the mapping of Japan.
Miriam KingsbergAug 17, 2016
Kevin Driscoll on Tung-Hui Hu's "A Prehistory of the Cloud".
Kevin DriscollAug 14, 2016
Ellen Wayland-Smith examines her ancestors' history in the Oneida Community, a 19th-century religious commune.
Ellen Wayland-SmithAug 9, 2016