King Lear Goes to China
Jeffrey Wasserstrom speaks with Xue Yiwei and Nan Z. Da about Shakespeare’s legacy in China.
"Hegel was right when he said that we learn from history that man can never learn anything from history." — George Bernard Shaw
Jeffrey Wasserstrom speaks with Xue Yiwei and Nan Z. Da about Shakespeare’s legacy in China.
Jeffrey WasserstromDec 5, 2025
Johanna Drucker responds to Victoria Dailey’s review of the catalogue raisonné “Paul Landacre: California Hills, Hollywood, and the World Beyond.”
Johanna Drucker Dec 3, 2025
Joel Edward Goza dives into Calvin Schermerhorn’s new study of American history, tracing a financial pattern of racial exploitation that’s woven into the nation’s fabric.
Joel Edward GozaNov 30, 2025
Clara Cuccaro considers the “myth of resistance” in Joachim Trier’s newest film, “Sentimental Value.”
Clara CuccaroNov 28, 2025
Shehryar Fazli considers Scott Anderson’s new account of the United States’ bungling in Iran, a mistake with lasting consequences.
Shehryar FazliNov 25, 2025
Ariel Dorfman revisits acts of brutality in the 1970s and John Dinges’s investigation of who is to blame.
Ariel DorfmanNov 23, 2025
Jacob Stern reviews Richard Linklater’s two latest films, “Nouvelle Vague” and “Blue Moon,” as twin hangout movies.
Jacob SternNov 21, 2025
Sara Kozameh offers a rigorous analysis of cultural production during the Cuban Revolution in conversation with Jennifer L. Lambe’s book “The Subject of Revolution: Between Political and Popular Culture in Cuba.”
Sara KozamehNov 20, 2025
Aurelian Craiutu thinks about Balázs Trencsényi’s “Intellectuals and the Crisis of Politics in the Interwar Period and Beyond: A Transnational History.”
Aurelian CraiutuNov 17, 2025
Randy M. Browne considers Keisha N. Blain’s new book, which finds that Black women, historically, haven’t simply argued for racial justice at home; they have, in fact, fought for and won human rights for everyone worldwide.
Randy M. BrowneNov 8, 2025
Annalisa Zox-Weaver reviews Andres Veiel’s 2024 documentary about Hitler’s favorite filmmaker.
Annalisa Zox-WeaverNov 6, 2025
Aniko Bodroghkozy considers recent books on the 2017 Charlottesville attack as a watershed moment in contemporary neo-Nazism.
Aniko BodroghkozyNov 4, 2025