Strange Bedfellows: The Modernists and the Nazis
A study of the sometimes unhealthy alliance between artists and power.
"Hegel was right when he said that we learn from history that man can never learn anything from history." — George Bernard Shaw
A study of the sometimes unhealthy alliance between artists and power.
Jan BreslauerFeb 8, 2015
As postwar Britain’s financial prospects changed, so too did the rhythms and habits of its daily life.
Josh EmmonsJan 25, 2015
“Personalism” combines the radical libertarian belief in the importance of the individual with the communist belief in the importance of the entire community. Victor Serge was its greatest champion.
Guy Patrick CunninghamJan 24, 2015
"How did the ideals of 1789 … morph into the horrors of 1793, steeped in blood, violence, and paranoia?"
Robert ZaretskyJan 12, 2015
By founding New Directions Books, James Laughlin shaped an entire chanel of literary history.
Greg BarnhiselJan 4, 2015
The bad news from one of the finest national security journalists working today.
Zach DorfmanDec 17, 2014
Uyghur history as everyman’s history.
Nile GreenDec 3, 2014
2014 saw a bumper crop in World War I commemorations.
Robert ZaretskyNov 23, 2014
Dublin's Easter Rising
Robert CreminsNov 15, 2014
Alessandro Carrera on the mysteries of mourning, the Unknown Soldier, and the scholarship of Laura Wittman.
Alessandro CarreraNov 13, 2014
James Turner’s Philology makes a case for the comparative mode that gave birth to the modern humanities — but what does his argument say for the state of the humanities now?
Scott SpillmanNov 11, 2014
"The Decent One" heralds a new kind of Holocaust documentary, one made by a documentarian two generations removed from the original horror, one that dares to look at a perpetrator with the assumption that he is not an animal or a monster but a human being.
Laurie WinerOct 29, 2014