Miami Melancholia
The world depicted in “Moonlight” is an internal colony, abandoned by the state’s supposed benevolence, and stuck serving its ends through suffering.
"There is only one thing that can kill the Movies, and that is education." — Will Rogers
The world depicted in “Moonlight” is an internal colony, abandoned by the state’s supposed benevolence, and stuck serving its ends through suffering.
Matt SandlerDec 16, 2016
What is "Arrival" saying?
Jordan BrowerDec 12, 2016
“Home Guards” is, whatever its director says, a film for the far right.
Nanda DyssouDec 9, 2016
Moviegoing, like roller-skating and rotary telephone use, is in decline.
Graham DaselerDec 5, 2016
Marta Figlerowicz considers the contradictions of Park Chan-wook's "The Handmaiden."
Marta FiglerowiczDec 2, 2016
Peter Trachtenberg reflects on the work of music and the music of work in “Linefork.”
Peter TrachtenbergNov 28, 2016
Derek Nystrom on the The Stooges's relation to 1960s radicalism and their contribution to the queer genealogy of punk.
Derek NystromNov 25, 2016
"Doctor Strange" grasps the deepest ideological fantasies of our era: On both the left and the right, we yearn to revise the catastrophes we couldn't stop.
David M. HigginsNov 19, 2016
Janice Rhoshalle Littlejohn talks to Jeff Nichols, director of "Loving," "Midnight Special," and "Mud."
Janice Rhoshalle LittlejohnNov 17, 2016
Francey Russell on Barry Jenkins's coming-of-age film.
Francey RussellNov 14, 2016
Dudley Andrew on D. A. Miller's "Hidden Hitchcock."
Dudley AndrewNov 11, 2016
Kenneth W. Warren on the problems of Nate Parker's "The Birth of a Nation."
Kenneth W. WarrenNov 4, 2016