Smuggling the Lessons of Modernism: Will Self
Will Self doesn’t exactly play it straight.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Will Self doesn’t exactly play it straight.
William HarrisMar 9, 2015
Jonathan Creasy on Dresden, Vonnegut, and "Slaughterhouse-Five."
Jonathan CreasyMar 6, 2015
"Aki Ollikainen: his prose is as determined as the characters’ own will to live."
Ben PaynterFeb 25, 2015
“I tried to send my book to agents, but it’s not built for that world.”
Aaron ShulmanFeb 20, 2015
To read Kelly Link’s stories is to understand the sheer possibilities of form, of genre, and how rules can be twisted, snapped, shattered.
Carmen Maria MachadoFeb 18, 2015
Elisa Albert's After Birth takes on female friendship with the same boldness and irreverence with which she dismantles the clichés of motherhood.
Alexis NelsonFeb 18, 2015
Michael Leone Interviews Robert Plunket, Author of "My Search for Warren Harding"
Michael LeoneFeb 17, 2015
"My favorite endings are the ones where the car skids right up to the edge of the cliff and we’re left peering over and wondering what’s down there."
Kathleen C. StoneFeb 17, 2015
"The First Bad Man" not only showcases Miranda July’s essential humanism, it displays a blossoming maturity, accessibility, and philosophical depth.
Shane Joaquin JimenezFeb 13, 2015
Israeli-American author Shelly Oria on how her characters transcend the boundaries of culture, sexuality, and reality.
Alanna SchubachFeb 7, 2015
Seth Greenland lets us see his writer/characters in their own rough drafts, endlessly shaping the words of their own consciousness.
Moira MacdonaldFeb 7, 2015
Bill Lattanzi explores "Infinite Jest" through the geography of David Foster Wallace's Boston.
Bill LattanziFeb 6, 2015