When Much Is at Stake: An Interview with Amina Gautier
In "Now We Will Be Happy," both music and food perform political and cultural functions, operating in ways that culturally include and exclude characters.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
In "Now We Will Be Happy," both music and food perform political and cultural functions, operating in ways that culturally include and exclude characters.
Jaquira DíazNov 25, 2015
Terrence Holt's stated goal is to give "a truthful account" of "what remained mysterious, and often troubling, about the process of becoming a doctor."
Brian GittisNov 24, 2015
Man-Eaters and Child-Nappers.
Madeleine LaRueNov 22, 2015
"Gold Fame Citrus" seldom expresses a sense of nostalgia or elegy for a lost California.
Nov 20, 2015
Charles Taylor reviews Michel Houellebecq's "Submission."
Charles TaylorNov 18, 2015
Stephen Sawyer on Michel Houellebecq's "Soumission" (Submission).
Stephen SawyerNov 18, 2015
Natalie Villacorta interviews Claire Vaye Watkins
Natalie VillacortaNov 14, 2015
What Hempel and Ciment share, and what is ultimately revealed to be the heart of the novel, is a profound love and respect for dogs.
Justin TaylorNov 10, 2015
Unica Zürn's novella "The Trumpets of Jericho" takes place in a certain limbo, at the torn seam between verisimilitude and disbelief.
Zack HatfieldNov 9, 2015
The gargantuan endeavor of the Ibis trilogy — an attempt to remedy the absences and silences of received history …
Nasia AnamNov 6, 2015
To escape is to be in the present. There’s something wonderful about writing, where you’re both in the present, in the moment, yet also in an imaginative fantasyland. So you get the best of both worlds.
Dominic GreenNov 2, 2015
GD Dess writes about the legacy of Nobel Prize–winner Patrick Modiano.
GD DessOct 30, 2015