Disguising Loss
Don Franzen interviews William C. Gordon.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Don Franzen interviews William C. Gordon.
Don FranzenMar 23, 2016
Reading "Wreck and Order" is like listening to a friend reflect with intelligence on some pretty questionable choices.
Dehn GilmoreMar 21, 2016
It would be easy to enjoy "The Cosmopolitans" even if you had never heard the name Sarah Schulman before.
Hugh RyanMar 20, 2016
An idiosyncratic collection of essays and short fictions considering an array of artistic, intellectual, and cultural celebrities.
Louis BuryMar 20, 2016
Ingrid Betancourt has enough powerful descriptions of torture in "The Blue Line" to scare a reader straight.
Michael Scott MooreMar 16, 2016
John McManus sees the terrible humor in loss while lodging the admonition that nobody’s life is a joke.
Jonathan StevensonMar 12, 2016
Constance Fenimore Woolson is an oft-forgotten Victorian novelist who deserves to be known in her own right.
Rebecca FosterMar 11, 2016
Edith Wharton's "The Children," published in 1928, has a lot in common with Jonathan Franzen's "Purity."
Sheila LimingMar 11, 2016
Danielle Dutton inhabits the life of Margaret Cavendish, the first woman to visit Britain’s Royal Society.
Julie CrawfordMar 10, 2016
Kaitlyn Greenidge discusses the limits of language, family roles, and the tools we use to talk about the past.
Ellie DukeMar 8, 2016
Fishman returns to the question of generational transmission he so provocatively pried open in "A Replacement Life."
Sasha SenderovichMar 8, 2016
John McIntyre interviews John Andrew Fredrick.
John McIntyreMar 4, 2016