The Mare, Mère, and Mary
It’s hard to watch Mary Gaitskill being nice.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
It’s hard to watch Mary Gaitskill being nice.
Joanna WalshJun 30, 2017
Dustin Illingworth navigates “Compass,” “an extraordinary achievement” by French novelist Mathias Énard.
Dustin IllingworthJun 27, 2017
Rosemary McClure talks to legendary Kenyan author Ngũgĩ wa Thiong’o about his short story, “The Upright Revolution: Or Why Humans Walk Upright.”
Rosemary McClureJun 24, 2017
John Farley reviews Scott McClanahan’s new novel, “The Sarah Book.”
John FarleyJun 24, 2017
Anita Felicelli on Arundhati Roy's long-awaited second novel.
Anita FelicelliJun 21, 2017
Robert Zaretsky plumbs the depths of “The Shadow Land” by Elizabeth Kostova.
Robert ZaretskyJun 20, 2017
If her early books cemented Eve Babitz’s image as the Edie Sedgwick of 1960s L.A., then “Sex and Rage” was an attempt to examine her own celebrity.
Liska JacobsJun 19, 2017
“Slow Days, Fast Company” consistently reveals Babitz’s fascination with America, which she considered a place apart from Los Angeles.
Kim FayJun 19, 2017
Lauren Kinney appreciates “August” by Romina Paula, a novel of friendship and loss.
Lauren KinneyJun 17, 2017
David Breithaupt reviews D. Foy’s new novel, “Patricide.”
David BreithauptJun 13, 2017
Sarah Hoenicke reviews SJ Sindu's "Marriage of a Thousand Lies."
Sarah HoenickeJun 13, 2017
Sean Hooks offers an anatomy of flash fiction.
Sean HooksJun 12, 2017