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It Was Just a More Empathetic Time Online
Lexi Kent-Monning interviews Kristen Felicetti about her new novel, “Log Off.”
Fiction
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Learning from Decadence
Jason Christian interviews Yuri Herrera about “Season of the Swamp,” New Orleans, and Benito Juárez.
Provisional Necessity
Christian Wessels reviews Forrest Gander’s “Mojave Ghost.”
Lifestyles of the Rich and the Abject
Caroline Tracey explores, via Dahlia de la Cerda’s “Reservoir Bitches,” the possibilities and limits of women’s agency on the fringes of Mexico’s narcosphere.
Manuscripts Don’t Burn
Raymond De Luca reviews a long-awaited new film adaptation of Mikhail Bulgakov’s novel “The Master and Margarita.”
A Child Makes a Future, and What Future Had We?
Carol Senf reviews Kathe Koja’s “Catherine the Ghost.”
One Community, Undivided, Uniquely on This Side of the Border
Frank Bergon reviews two new collections from Dagoberto Gilb: “New Testaments” and “A Passing West: Essays from the Borderlands.”
A Chaos of Privilege and Prejudice
Charlie Tyson identifies a political turn in Alan Hollinghurst’s latest novel, “Our Evenings.”
Behind All the Plaster
Rhian Sasseen reviews Lauren Elkin’s “Scaffolding.”
Jonathan Carroll’s Impossible Realism
Gary K. Wolfe surveys the career of American fabulist Jonathan Carroll, whose backlist is currently being re-released by JABberwocky eBooks.
A Moment of Doubt, or Nearly So
Zachary Gillan reviews Brian Evenson’s new collection “Good Night, Sleep Tight.”
A Trapdoor of Her Own
Emmeline Clein considers girls, games, and heterosexual monogamy in her review of Sally Rooney’s new novel, “Intermezzo.”
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