A Cohort of One’s Own
Frances Lazare considers the friendships and fights of "The Equivalents" by Maggie Doherty and "No Modernism Without Lesbians" by Diana Souhami.
"I don't think anyone should write their autobiography until after they're dead." — Samuel Goldwyn
Frances Lazare considers the friendships and fights of "The Equivalents" by Maggie Doherty and "No Modernism Without Lesbians" by Diana Souhami.
Frances LazareOct 9, 2020
Janet Fitch is enlightened by Bob Blaisdell’s biographical study of Tolstoy, “Creating Anna Karenina.”
Oct 4, 2020
LARB presents an excerpt from “Stalin: Passage to Revolution” by Ronald Grigor Suny.
Ronald Grigor SunySep 28, 2020
Alex Harvey delves into “The Brothers Mankiewicz” by Sydney Ladensohn Stern.
Alex HarveySep 27, 2020
Kathelin Gray reviews Maria Golia’s biography of composer and musician Ornette Coleman.
Kathelin GraySep 24, 2020
Cass R. Sunstein looks at Liel Leibovitz’s recently published biography of Stan Lee.
Cass R. SunsteinSep 21, 2020
Sibelan Forrester reviews “Evgeny Boratynsky and the Russian Golden Age,” translated and annotated by Anatoly Liberman.
Sibelan ForresterSep 20, 2020
Harlow Robinson turns his ear to “Taking a Chance on Love” by George Harwood Phillips and “In Stravinsky’s Orbit” by Klára Móricz.
Harlow RobinsonSep 15, 2020
Kathleen Jones on two recent biographies of midcentury women of noir: producer Joan Harrison and actress Veronica Lake.
Kathleen B. JonesSep 14, 2020
Michael Nava reviews “The Deviant’s War: The Homosexual vs. the United States of America,” Eric Cervini’s exhaustive new history.
Michael NavaAug 31, 2020
Simon Lee reviews Selina Todd’s biography on British playwright Shelagh Delaney.
Simon LeeAug 21, 2020
A pair of new books about US Marshal Wyatt Earp are now out. Only one of them shoots straight.
Allen BarraAug 19, 2020