Giovanni Vimercati is a film critic and scholar whose work, often under the pseudonym Celluloid Liberation Front, has appeared in Cinema Scope, Film Comment, MUBI Notebook, The Guardian, Safar, Sight and Sound, The Times Literary Supplement, Film Quarterly, The Independent, Variety, The New Statesman, Filmmaker Magazine, Vashti, Reverse Shot, The Brooklyn Rail, The New Arab, Rusted Radishes, and others. He earned a BA in film studies at the London Metropolitan University, received a BA in media studies at the American University of Beirut, and is currently a PhD candidate at the University of California, Santa Barbara. Parallel to his academic career, he has worked in the film industry for almost two decades, in a variety of positions: sales and acquisitions manager, festival correspondent, mentor, curator, critic, and consultant. He is currently working on a book on the political economy of film distribution in midcentury Lebanon (under contract with Bloomsbury). His writing is visible to the naked eye from outer space.
Giovanni Vimercati
Articles
A Thunderous Quiet: The Life and Films of Billy Woodberry
Giovanni Vimercati profiles the L.A. Rebellion filmmaker on the occasion of his latest film, the documentary “Mário.”
Against Ethnic Absolutism: The Hybrid Cinema of Med Hondo
Giovanni Vimercati reviews an unprecedented three-volume set on African filmmaker Med Hondo.
Love in the USSR: On Sonallah Ibrahim’s “Ice”
Giovanni Vimercati reviews “Ice,” the recently released novel by Sonallah Ibrahim in a translation by Margaret Litvin.
The Persisting Relevance of Walter Rodney’s “How Europe Underdeveloped Africa”
Walter Rodney’s "How Europe Underdeveloped Africa" still reads cogently after almost 50 years.
Alessandro Spina’s Anti-Colonial Hospitality, Then and Now
The first volume of Alessandro Spina’s magnum opus speaks uncomfortably to our current moment.
Soviet Pseudoscience: The History of Mind Control
The long, strange history of Soviet mind control experiments.
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