All Reviews

• Seeing and Saying: Leonard Barkan’s “Mute Poetry, Speaking Pictures”

  Ange MlinkoMar 15, 2013

• Illuminated Manuscripts: On the History of Neon

  Ariana KellyMar 14, 2013

• Disappearing Acts: Nabokov and the Theater of History

  Alisa SnidermanMar 13, 2013

• Old Scripts, Contemporary Versions

  It is full of delightful surprises that map the mythical, the magical, and the real onto each other in complex and deliberately disruptive ways.

  Victoria de ZwaanMar 13, 2013

• Oh, To Be Japanese!

  Sheila K. JohnsonMar 13, 2013

• Second Acts: A Second Look at Second Books by Charles Wright and Mary Szybist

  Mar 12, 2013

• Meeting the Austins Again

  Sara ZarrMar 12, 2013

• Enlightenment: It's What's For Dinner

  Mar 10, 2013

• Some Problems with Victory: The Ongoing Battle for Gay Rights

  T Clutch FleischmannMar 9, 2013

• The Poet and the Stalker: On James Lasdun's "Give Me Everything You Have"

  Pamela ErensMar 9, 2013

• “A Pall Is Cast over the Classroom”: Legislating Academic Freedom

  Stephen RohdeMar 8, 2013

• Getting Out of the Picture: On Being Nick Flynn

  Nathan DeuelMar 7, 2013

• Scenes from the Resistance: Georges Perec’s “La boutique obscure”

  David AuerbachMar 6, 2013

• Worlds Flipped Sideways

  Carmen Maria MachadoMar 6, 2013

• “The Ritalin Kid of Contemporary American Letters”: The Problem with Sam Lipsyte’s Latest Stories

  Michael BourneMar 5, 2013

• “A Ravishing Mind”: On the Pleasures of Linda Gregerson’s Poems

  Mar 4, 2013