Tricky Business
Jack Skelley locates the line between authenticity and performance in the new immersive theater performance “Session.”
Jack Skelley locates the line between authenticity and performance in the new immersive theater performance “Session.”
While attending the Labyrinth Masquerade Ball, Brittany Menjivar gets reminded of the babe, the babe with the power, the power of—no, don’t even get me started.
Can Sugar Daddy, Doctor KA, and Bicep Boyfriend team up to save 4th Street from Insatiable Capitalism? A. J. Urquidi is on the scene to find out.
Madeleine Connors moves through the ranks while brushing off hopeful check-mates at the LA Chess Club Singles Arena in the Fashion District.
Tosten Burks finds himself among the labyrinth walkers of Los Angeles.
In Los Ageless, the winter may never come, but Madeleine Connors will keep runnin’ to the Greek Theatre to witness St. Vincent’s glam.
All the other kids with the pumped-up kicks can’t outrun Brittany Menjivar’s excitement at the Foster the People show in West Hollywood.
For James Baldwin’s 100th birthday, Cherith King reflects on the literary giant’s everlasting charm.
Audrey Serrano just came here from USC, and now she’s in this dream place, watching “Mulholland Drive” in 4K at the Academy Museum.
A new Palestinian movie night teaches Tosten Burks about failure.
Upon the release of Childish Gambino’s final studio album, Cherith King revisits an exploration of his contribution to the “new black Gothic.”
Ready, boils and ghouls, for a jolting tale of tension in the EC tradition? Read the Britt-Keeper’s account of a spooky little soirée at Revenge Of in Glassell Park … if you dare!
Brandon Sward aspires to experience Stendhal syndrome for clout at the “American Gothic” exhibition reading at Night Gallery in Los Angeles.
Brittany Menjivar can fly: straight from La La Land to Never Land, for the revamped “Peter Pan” production at the Pantages.
Everybody’s got something to hide except Madeleine Connors and her monkey (at Roaring Nights at the L.A. Zoo).
Someone give Brittany Menjivar a MacArthur Fellowship for her work reviewing Tarek Ziad’s one-man show in Los Angeles!