Shelves Full of Bread: On Joan Ramon Resina’s “Cultures of Currencies”
Christoph Wulf reviews “Cultures of Currencies: Literature and the Symbolic Foundation of Money,” edited by Joan Ramon Resina.
"There is nothing more poetic and terrible than the skyscrapers' battle with the heavens that cover them." — Federico García Lorca
Christoph Wulf reviews “Cultures of Currencies: Literature and the Symbolic Foundation of Money,” edited by Joan Ramon Resina.
Christoph WulfMar 5, 2023
Mary Retta reviews Jenny Odell’s “Saving Time: Discovering a Life Beyond the Clock.”
Mary RettaMar 2, 2023
Julie Morrison reviews two books about 19th-century Wild West women.
Julie MorrisonFeb 27, 2023
Elaine Elinson reviews Kerri K. Greenidge’s “The Grimkes: The Legacy of Slavery in an American Family.”
Elaine ElinsonFeb 15, 2023
Taylor Lewandowski reviews “NDA: An Autofiction Anthology,” edited by Caitlin Forst.
Taylor LewandowskiFeb 15, 2023
Ben Beitler reviews Malcolm Harris’s “Palo Alto: A History of California, Capitalism, and the World.”
Ben BeitlerFeb 14, 2023
Nile Green reviews Travis Zadeh‘s “Wonders and Rarities: The Marvelous Book That Traveled the World and Mapped the Cosmos.”
Nile GreenFeb 12, 2023
Robert Allen Papinchak reviews Haruki Murakami’s “Novelist as a Vocation,” translated by Philip Gabriel and Ted Goossen.
Robert Allen PapinchakFeb 10, 2023
Ed Simon reviews Abram C. Van Engen’s “City on a Hill: A History of American Exceptionalism.”
Ed SimonFeb 5, 2023
J. C. Hallman reviews Lydia Moland’s biography of a 19th-century abolitionist, “Lydia Maria Child: A Radical American Life.”
J. C. HallmanFeb 5, 2023
Thomas McLean reviews Devoney Looser’s “Sister Novelists: The Trailblazing Porter Sisters, Who Paved the Way for Austen and the Brontës.”
Thomas McLeanFeb 2, 2023
Martin Woessner reviews Paul W. Williams’s complex work “Harvard, Hollywood, Hitmen, and Holy Men.”
Martin WoessnerJan 22, 2023