Corporate Noir, or This Job Is Killing Me
Every era gets the noir it deserves.
"The cheaper the crook, the gaudier the patter, eh?" — Dashiell Hammett
Every era gets the noir it deserves.
Julia IngallsAug 30, 2014
Finding a spot in the cafeteria or a seat on the bus requires careful navigation between various identities, some self-created, and some imposed on us unwillingly.
Sarah SkiltonAug 26, 2014
Jean-Patrick Manchette produced violence with an almost choreographed agility. Contributor Tagline: Chris R. Morgan has previously written for VICE, Bookforum, The Awl, Open Letters Monthly, and This Recording. He lives in New Jersey and publishes a zine called Biopsy.
Chris MorganAug 25, 2014
The first filmmaker to fully capture the spirit of the new noir was the wild man of American cinema, Sam Fuller.
Jake HinksonAug 18, 2014
Erica Ruth Neubauer on women cops in a male-dominated genre.
Erica Ruth NeubauerJul 25, 2014
"Mad Max" meets "Murder, My Sweet."
Andrew NetteJul 18, 2014
Alice Bolin theorizes the commonality of the Dead Girl in Twin Peaks, True Detective, and Pretty Little Liars.
Alice BolinApr 28, 2014
Dick Lochte on the many incarnations of Raymond Chandler.
Dick LochteApr 19, 2014
On the making of Orson Welles’s The Lady From Shanghai.
Michael PeckMar 20, 2014
The King of Noir Woody Haut picks the best of 2013.
Woody HautDec 22, 2013
On 'the brazen weirdness' of Florida crime fiction.
J. David GonzalezJul 23, 2013
Noir's rap is bleak, nihilistic, hardbitten. But at heart it's a deeply emotional genre and a deeply nostalgic one.
Boris Dralyuk, Megan AbbottMay 7, 2012