Who Needs a “National” Music?: On Joseph Horowitz’s “Dvořák’s Prophecy: And the Vexed Fate of Black Classical Music”
Horowitz’s book brims with detailed examples but its larger argument is unconvincing.
"I don't care much about music. What I like is sounds." — Dizzy Gillespie
Horowitz’s book brims with detailed examples but its larger argument is unconvincing.
Tim RileyJan 28, 2022
Kathryn Lofton explores what it means to grieve through the complexity of popular music.
Kathryn LoftonJan 10, 2022
Sometimes our critic hates the Rolling Stones so much that she thinks she must secretly love them.
Gina ArnoldDec 26, 2021
LARB presents the December 2021 installment of “Real Life Rock Top 10,” a monthly column by cultural critic Greil Marcus.
Greil MarcusDec 24, 2021
LARB presents the November 2021 installment of “Real Life Rock Top 10,” a monthly column by cultural critic Greil Marcus.
Greil MarcusNov 26, 2021
A review of the literature on the hyperliterate jazz-rock ironists from 1970s L.A.
Colin MarshallNov 21, 2021
Contemporary authors select their most “cherished” albums.
Jeffrey WasserstromNov 8, 2021
LARB presents the October 2021 installment of “Real Life Rock Top 10,” a monthly column by cultural critic Greil Marcus.
Greil MarcusOct 29, 2021
Justin Gautreau catches up with Richard Edwards, whose latest release is “Richard Edwards Sings the Margot & The Nuclear So and So’s, Songbook in Quarantine (Vol 1).”
Justin GautreauOct 5, 2021
Ethan Weinstein reviews "Blind Joe Death’s America," the new book by George Henderson about John Fahey.
Ethan WeinsteinSep 10, 2021
LARB presents the August 2021 installment of “Real Life Rock Top 10,” a monthly column by cultural critic Greil Marcus.
Greil MarcusAug 27, 2021
LARB presents the July 2021 installment of “Real Life Rock Top 10,” a monthly column by cultural critic Greil Marcus.
Greil MarcusJul 30, 2021