To Write as They Played
Sarah Moorhouse reviews Susan Tomes’s new collective biography, “Women and the Piano: A History in 50 Lives.”
"Hegel was right when he said that we learn from history that man can never learn anything from history." — George Bernard Shaw
Sarah Moorhouse reviews Susan Tomes’s new collective biography, “Women and the Piano: A History in 50 Lives.”
Sarah MoorhouseJul 24, 2024
In the second essay of the Legacies of Eugenics series, Aubrey Clayton excavates the troubling correlation between the birth of statistical methods and the history of eugenics.
Aubrey ClaytonJul 18, 2024
Elvia Wilk interviews Jennifer Kabat about her new book, “The Eighth Moon: A Memoir of Belonging and Rebellion.”
Elvia WilkJul 18, 2024
LARB presents an excerpt from Saikat Majumdar’s “The Amateur: Self-Making and the Humanities in the Postcolony.”
Saikat MajumdarJul 9, 2024
Michael Rubenstein writes on the 50th anniversary of “Chinatown” and the beginning of the end of petromodernity.
Michael RubensteinJul 8, 2024
Laurie Levenson reviews Ronald Collins’s “Tragedy on Trial: The Story of the Infamous Emmett Till Murder Trial.”
Laurie L. LevensonJul 7, 2024
Thomas Chen reviews Margaret Hillenbrand’s “On the Edge: Feeling Precarious in China.”
Thomas ChenJul 6, 2024
Andrew Koppelman critiques Jack Balkin’s ”Memory and Authority.”
Andrew KoppelmanJun 28, 2024
Alma Igra illustrates how, through the scrupulous caloric management of Gaza, Israel and the international community have weaponized food.
Alma IgraJun 16, 2024
Harry Waksberg reviews a new book about a German television series about the Holocaust, written by Magdalena Saryusz-Wolska.
Harry WaksbergJun 7, 2024
Charles Emmerson reviews two recent books on France’s colonial legacy, Nabila Ramdani’s “Fixing France” and Pierre Singaravélou’s “Colonisations.”
Charles EmmersonJun 7, 2024
Sara Campos reviews “In the Shadow of Liberty: The Invisible History of Immigrant Detention in the United States” by Stanford professor Ana Raquel Minian.
Sara CamposJun 2, 2024