Racecraft: Stories of Racial Passing
Racial passing shows that “race” is both socially constructed and, as experienced, extremely meaningful.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Racial passing shows that “race” is both socially constructed and, as experienced, extremely meaningful.
Lucy McKeonDec 5, 2014
Why would a pluralistic and secular society single out for special treatment any system of belief?
Stephen RohdeDec 3, 2014
In “How to Be Both,” time is not linear, receding behind us, but layered, coiled beneath us; we are walking palimpsests.
Susan McCallum-SmithDec 2, 2014
If a Mexican restaurant can channel the rich yet double-edged nature of Mexican/Chicano culture, then why not a Mexican icon?
Rigoberto GonzálezDec 1, 2014
We talked about books and ideas, and odd moments of the day, but our psychological wounds weren’t topics of conversation; they were the furnace of our work.
Paul MandelbaumNov 30, 2014
There are enough horrors in China’s past to sate any reader’s appetite.
Pierre FullerNov 26, 2014
J.J. Partridge keeps "the new new and the familiar familiar, while inhabiting the setting with the idiosyncrasy of real life and changing times."
Edwin HillNov 26, 2014
Carlene Bauer on Darcey Steinke’s 'Sister Golden Hair'
Carlene BauerNov 25, 2014
Ha Jin's novel moves beyond the ideological certainties of typical Cold War spy novels.
Paul FrenchNov 21, 2014
Pat Verducci on "If I Knew You Were Going to Be This Beautiful, I Never Would Have Let You Go."
Pat VerducciNov 20, 2014
Would you want to spend your leisure time with this kind of darkness?
Keith RawsonNov 19, 2014
"Malice" is both a "well-written, well-plotted police procedural" and "the story of two writers."
Neda SemnaniNov 18, 2014