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Opera (and Comics) Against Fascism
Exploring how the graphic novel ‘Death Strikes’ intersects with the modernist opera ‘Der Kaiser von Atlantis,’ a work composed by Jewish prisoners during the Holocaust.
Comics
"All lurid, unsavory, gruesome illustrations shall be eliminated." — Comics Code, 1954
People of the World: Relax!
“People of the World: Relax!” is excerpted from “The Complete C Comics,” a collection of Joe Brainard’s innovative work, and featured in LARB Quarterly no. 47: “Security.”
And Then What? The Road After “Success” in the Arts
Alexis Clements uses Alison Bechdel’s new graphic novel “Spent” to meditate on the predicament of the creative artist today.
Edward Steed’s Posthuman Comedy
Ivan Kreilkamp “blasts through ordinary perception” in Edward Steed’s “Forces of Nature: A Book of Drawings.”
Common Roots
Martin Dolan explores labor, trade, and shared humanity in Craig Thompson’s “Ginseng Roots.”
Revolution of Our Times
Graham J. Murphy considers Badiucao and Melissa Chan’s “You Must Take Part in Revolution.”
The Common Man Is Coming into His Own
Michael Kobre considers the Fantastic Four superhero “The Thing” and Jack Kirby’s relationship to his own Judaism.
Intuitive, Impractical Passions
Dan Nadel on the work of legendary underground cartoonist, artist, and sculptor Michael McMillan.
Mafalda
The LARB Quarterly presents an excerpt from Quino’s “Mafalda,” translated by Frank Wynne, in issue no. 44, “Pressure.”
The Comforts of Horror
Daniel Lukes reviews Charles Burns’s “Final Cut” and “Kommix.”
A Reluctant Übermensch
D. Harlan Wilson reviews Keanu Reeves and China Miéville’s “The Book of Elsewhere.”
The Contours of Negative Space: On Tessa Hulls’s “Feeding Ghosts”
Martin Dolan reviews Tessa Hulls’s “Feeding Ghosts.”
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