Who Does He Favor?
Rachel Masilamani offers a graphic portrait revisiting the 2016 presidential campaign. Part of the July 2017 Smithsonian Asian American Literature Festival.
"I don't think anyone should write their autobiography until after they're dead." — Samuel Goldwyn
Rachel Masilamani offers a graphic portrait revisiting the 2016 presidential campaign. Part of the July 2017 Smithsonian Asian American Literature Festival.
Rachel MasilamaniJul 9, 2017
Tom Gallagher appreciates “The New Russia,” a political autobiography by Mikhail Gorbachev.
Tom GallagherJul 8, 2017
Robert Minto assays “Montaigne: A Life” by Philippe Desan, which restores the great essayist’s political dimension.
Robert MintoJul 3, 2017
William F. Buckley Jr. loved to yell “stop” no matter what was moving, says our reviewer.
Andrew BurtJun 20, 2017
Glen Roven on Amy Gary's "In the Great Green Room," a biography of "Goodnight Moon" author Margaret Wise Brown.
Glen RovenMay 23, 2017
Noah Kennedy reviews George Prochnik's "Stranger in a Strange Land."
Noah KennedyMay 21, 2017
Tim Riley reviews two new books about pianist Van Cliburn.
Tim RileyMay 10, 2017
Chris Fink talks to Helene Cooper about her new biography of the first democratically elected female head of state in Africa.
Chris FinkApr 1, 2017
“Richard Nixon is not the gateway to understanding Donald Trump.” Larry Harnisch reviews John A. Farrell’s “Richard Nixon: The Life.”
Larry HarnischMar 29, 2017
Judith Freeman admires “Bonnie Cashin: Chic Is Where You Find It” by Stephanie Lake.
Judith FreemanMar 25, 2017
Leigh Eric Schmidt on Bonnie S. Anderson's biography of Ernestine Rose, "The Rabbi's Atheist Daughter."
Leigh Eric SchmidtMar 22, 2017
Anthony Mostrom reviews three new books about Adolf Hitler’s rise to power.
Anthony MostromMar 20, 2017