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Until My People Are Free
Diba Mohtasham speaks with pop star Faegheh Atashin, a.k.a. Googoosh, about her new memoir.
Biography & Autobiography
"I don't think anyone should write their autobiography until after they're dead." — Samuel Goldwyn
A Radical Functionalist
Lois Parkinson Zamora explores “Architect Hannes Meyer and Radical Modernism” by Georg Leidenberger.
We Are the Alien
Forest Lewis ponders Graham St John’s “Strange Attractor: The Hallucinatory Life of Terence McKenna.”
Mausoleum of Dreams
Oliver Evans reviews Will Sloan’s new biography “Ed Wood: Made in Hollywood USA.”
A Spectacle and Nothing Strange
Jacquelyn Ardam considers Francesca Wade’s “Gertrude Stein: An Afterlife.”
Did the Buck Stop with Buckley?
William F. Buckley’s patrician trappings didn’t keep him away from the mud, writes Greg Barnhisel in his review of Sam Tanenhaus’s biography of the conservative intellectual.
When Philosophy Stopped the Traffic in New York City
Alexandre Lefebvre explores Emily Herring’s “Herald of a Restless World: How Henri Bergson Brought Philosophy to the People.”
The Will to Power in China
Anne Stevenson-Yang reviews Robert L. Suettinger’s “The Conscience of the Party” and Joseph Torigian’s “The Party’s Interests Come First.”
A History That Needs to Be Retold
Vivien Chang reviews Howard W. French’s “The Second Emancipation: Nkrumah, Pan-Africanism, and Global Blackness at High Tide.”
One Island, Many Histories
Michelle T. King reviews Catherine Lila Chou and Mark Harrison’s “Revolutionary Taiwan” and Anna Beth Keim’s “Heaven Does Not Block All Roads.”
Certain, but Not Final
Winnie Wang reviews Madeleine Hunt-Ehrlich’s debut feature “The Ballad of Suzanne Césaire.”
A Forever for Sally
M. G. Lord watches National Geographic’s new documentary “Sally.”
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