Letter to the Editor Regarding Victoria Dailey’s “Los Angeles in Black and White”
Johanna Drucker responds to Victoria Dailey’s review of the catalogue raisonné “Paul Landacre: California Hills, Hollywood, and the World Beyond.”
"Art is making something out of nothing and selling it." — Frank Zappa
Johanna Drucker responds to Victoria Dailey’s review of the catalogue raisonné “Paul Landacre: California Hills, Hollywood, and the World Beyond.”
Johanna Drucker Dec 3
Martin Wong catches up with SoCal punk band Emily’s Sassy Lime upon their reunion for the California Biennial.
Martin WongNov 30
Alexis Clements uses Alison Bechdel’s new graphic novel “Spent” to meditate on the predicament of the creative artist today.
Alexis ClementsNov 29
Lara Fresko Madra explores Hande Sever’s recent installation at REDCAT in Los Angeles.
Lara Fresko Madra Nov 25
Lois Parkinson Zamora explores “Architect Hannes Meyer and Radical Modernism” by Georg Leidenberger.
Lois Parkinson ZamoraNov 19
Jessica Simmons-Reid visits Noah Davis’s posthumous survey at the Hammer Museum.
Jessica Simmons-ReidNov 15
Janet Sarbanes encounters Nancy Buchanan’s career retrospective at the Brick in Los Angeles.
Janet SarbanesNov 14
Victoria Dailey reviews Jake Milgram Wien’s catalogue raisonné “Paul Landacre: California Hills, Hollywood, and the World Beyond.”
Victoria DaileyNov 8
Rob Arcand reviews Hito Steyerl’s new essay collection, “Medium Hot: Images in the Age of Heat.”
Rob ArcandOct 19
Harrison Blackman discusses the aesthetics and politics of Greek cinema’s Weird Wave.
Harrison BlackmanOct 10
Michael Kurcfeld interviews Elmgreen & Dragset on the occasion of their new exhibition at Pace Gallery Los Angeles.
Michael KurcfeldOct 9
Jake Romm navigates artistic depictions of genocide and religious violence—some illuminating, others devoid of substance—from Renaissance Italy to modern-day Berlin, in an essay from LARB Quarterly no. 46: “Alien.”
Jake RommSep 29