Perhaps You’re Not Yourself, But Her
German director Mascha Schilinski’s visually evocative 2025 film suggests the influence of Francesca Woodman’s photographic work.
Reviews
German director Mascha Schilinski’s visually evocative 2025 film suggests the influence of Francesca Woodman’s photographic work.
High school sophomores or 16th-century saints? Sam Contis’s recent exhibition captures the unmediated facial expressions of runners at the finish line.
A new translation revitalizes Mothra stories from the early days of Godzilla, but the writing itself struggles to emerge from its cocoon.
My Barbarian’s tarot exhibition at Lubov evokes the domestic familiarity and ancient unknowability of our feline friends.
Are Waffle Houses or garden cities the future of food?
Jon Stock’s recent book examines the deplorable career of prominent psychiatrist Willam Sargant and his brand of bio-therapeutics.
Richard Edwards’s new solo album emerges from a personal hell of isolation and physical travails.
In the first English translation of Fausta Cialente’s ‘A Very Cold Winter,’ institutions imposed on women by patriarchal forces ‘appear as foreign and inexplicable as language itself.’
Juan Ecchi’s novel ‘Dryback’ investigates the ways porn has eroded men’s capacity for real connection.
Daniela Naomi Molnar’s new book confronts the source text of modern antisemitism with a project of excision, explication, and preservation.
G. Edward White’s new biography explores the life of Robert H. Jackson, a Supreme Court justice revered by jurists from both ends of the political spectrum.
The new posthumous gathering of Lore Segal’s final stories is a wise and funny tribute to the power of friendship.
The short story form is an uneasy vessel for Helen Garner’s particular intensity.
The Russian-language reception of Crave’s ‘Heated Rivalry’ shows how tenderness, desire, and character complexity shape a phenomenon that transcends borders.