Cornel Bonca is a professor of English at California State University, Fullerton. He is the author of Paul Simon: An American Tune, and a longtime contributor to LARB.
Cornel Bonca
Articles
The Main Thing Is Dread: On Don DeLillo’s “The Silence”
Cornel Bonca contends with "The Silence," the latest novel from Don DeLillo.
Not in Kansas: On The National’s “I Am Easy to Find”
Cornel Bonca reviews The National’s new album and the Mike Mills movie based on it.
He Gets Us, He Really Gets Us: Jay McInerney’s “Bright, Precious Days” and the Sighs of the One Percent
The latest installment in Jay McInerney’s Manhattan Trilogy, a dutifully documented, tender-hearted take on The Way Manhattan’s Elite Live Now.
Focusing on the Fundamentals
The music of Loreena McKennitt
The Sob in the Spine
Mikel Jollett’s Rock ’n’ Roll Alchemy
The Inner Sanctum: John Freeman’s “How to Read a Novelist”
If you’re an avid follower of contemporary fiction, then John Freeman’s How To Read A Novelist is the perfect, and perfectly modest, book.
Salinger Betrayed: On Shane Salerno’s "Salinger"
The most unequivocal thing you can say about Shane Salerno’s documentary Salinger is that J.D. Salinger would have hated every single word and frame.
Contact With The Real: On 'Cosmopolis'
The Singularity & late capitalism & technological despair — oh my!
DeLillo's Inclinations Toward the Sacred
Sometime in the late 1970s, Don DeLillo stopped being embarrassed by his own inclinations toward the sacred.
Being Boring
The novel — what we have of it anyway — challenges us to pay attention with a selflessness that allows the world to "blaze in an almost sacred way."
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