Janet Sternburg is a fine art photographer, writer of literary books, maker of theater and film, and educator. Her solo shows include the Seoul Institute of the Arts, Ansan, Korea; Contrasto Galleria, Milan; USC Fisher Museum of Fine Arts, Los Angeles; and a two-year traveling exhibition, Berlin to Munich. Her photo publications include Aperture and a cover/portfolio feature in Art Journal, as well as three monographs from Distanz Verlag: Overspilling World: The Photographs of Janet Sternburg (2016), with essays by Wim Wenders and Catherine Opie; I’ve Been Walking: Los Angeles Photographs (2021), epilogue in conversation with Jane Bennett; and Looking at Mexico / Mexico Looks Back (2023), in collaboration with José Alberto Romero Romano. Among her literary publications are The Writer On Her Work (1992), as editor; Phantom Limb (2002); White Matter: A Memoir of Family and Medicine (2015); and Optic Nerve: Photopoems (2005). She is the recipient of the REDCAT Award (2016),“given to “individuals who exemplify the creativity and talent that define and lead the evolution of contemporary culture.”
Janet Sternburg
Articles
AUTOMOTIVE: On Leos Carax’s “Holy Motors”
Peter Beard: A Recollection
The Mind Has a Mind of Its Own: On Maria Popova’s “Figuring”
Janet Sternburg sweeps through the innovative “Figuring” by Maria Popova.
Devious Days: Questions and Answers with Fred Croton
Janet Sternburg talks to Fred Croton about his new novel, "Wages of War."
Brief Cases
"Brief Encounters" has left this reader grateful for its abundant gifts; grateful too that it doesn't overstay its welcome.
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