Eric Gudas

Eric Gudas is the author of Best Western and Other Poems (Silverfish Review Press, 2010). His essays and reviews have appeared in Raritan, All About Jazz, Poetry Flash, Senses of Cinema, Reading in Translation, and elsewhere. He contributed the afterword to Natalia Ginzburg’s Family and Borghesia (New York Review Books Classics, 2021). For more information, visit https://linktr.ee/ericgudas.

Articles

A Particularly Intimate Mourning: On Susie Boyt’s “Loved and Missed”
Eric Gudas reviews Susie Boyt’s “Loved and Missed.”
Eric GudasOct 11, 2023
- Fiction
- Literary Criticism
Gilberto Perez and “The Imprint of Life” on the Cinema Screen
Eric Gudas thinks back on the impacts of his film mentor, Gilberto Perez.
Eric GudasJan 24, 2021
Social Distancing in the Age of Gigging
Eric GudasMar 15, 2020
A Farewell to LACMA's Bing Theatre
Eric Gudas pens a eulogy for the Leo S. Bing Theatre, set to be demolished during Michael Govan and Peter Zumthor’s LACMA renovation.
Eric GudasDec 4, 2019
Richard Kalvar: “Looking for Things in the Street”
Eric Gudas narrates Richard Kalvar’s Photofile series collection.
Eric GudasAug 22, 2019
- Art & Architecture
A Long-Haired Mule and a Porkepine
Eric Gudas dishes on Daryl Sanders’s “That Thin, Wild Mercury Sound.”
Eric GudasNov 7, 2018
- History
- Music
That Evil Yellow Light: On Jean Stafford’s “The Mountain Lion”
Eric Gudas makes the case for “The Mountain Lion,” a classic novel of childhood by Jean Stafford.
Eric GudasMay 5, 2018
- Fiction
The Acceptance of Certain Mysteries: Peter Taylor’s “Complete Stories”
Eric Gudas finds Peter Taylor’s two-volume “Complete Stories” transformative.
Eric GudasJan 8, 2018
- Fiction

View all articles by Eric Gudas