Constance Valis Hill is a dance historian and choreographer, and a Five College Professor of Dance (Hampshire College). She is the author of Tap Dancing America: A Cultural History (Oxford University Press, 2010), which won the de la Torre Bueno Prize for the best book in the of dance studies; and Brotherhood in Rhythm: The Jazz Tap Dancing of the Nicholas Brothers (Oxford University Press, 2000), winner of a 2001 ASCAP Deems-Taylor award. She has composed a chronology of tap dance for the Library of Congress in “Tap Dance in America: A Twentieth-Century Chronology of Tap Performance on Stage, Film, and Media by Constance Valis Hill,” a 3,000 performance record database with 180 biographies of twentieth-century tap dancers.
Constance Valis Hill
Articles
Pure Wordless Emotion on Film: “In This Life” at the 2019 Dance on Camera Festival
Constance Valis Hill reviews Bat-Sheva Guez’s hypnotic new dance film.
"#UNLOAD: Guns in the Hands of Artists": Decommissioning Gun Violence
A powerful artistic exploration of the human costs of gun violence.
Flamenco’s Afro-Andalusian Roots: The Music of Raúl Rodríguez
A great flamenco artist explores the Afro-Caribbean roots of his art.
“Color of Reality”: Jon Boogz, Lil Buck, and Black Lives in Livid Color
"Color of Reality" is a eulogy for all black men who dare step into three-dimensionality.
On National Tap Dance Day, May the Critics Hail: “Tap Dance Is Dead Right for Everybody!”
Thirty-six years after a historic gathering, the tap community still struggles to convince the general public that tap is “dead right for everybody.”
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