Monsters of the Anthropocene
Guillermo del Toro’s ‘Frankenstein’ reduces Mary Shelley’s novel to a one-dimensional warning about technological hubris.
Reviews
Guillermo del Toro’s ‘Frankenstein’ reduces Mary Shelley’s novel to a one-dimensional warning about technological hubris.
Samuel Cohen’s anthology on book banning diagnoses a recent swell in censorship that’s problematic for more reasons than you’d think.
German director Mascha Schilinski’s visually evocative 2025 film suggests the influence of Francesca Woodman’s photographic work.
The Francis Crick of Matthew Cobb’s new biography was both the consummate insider and a scientific outlier.
In her latest short story collection, Ayşegül Savaş considers lives lived apart.
Brendan Boyle considers Coralie Fargeat’s “The Substance.”
Keith S. Wilson’s visually experimental poetry examines the ‘asymmetries of risk’ and repetition to expose ‘how violence enters the body as habit.’
Jon Stock’s recent book examines the deplorable career of prominent psychiatrist Willam Sargant and his brand of bio-therapeutics.
Scott Broker’s debut novel is like ‘Scenes from a (Gay) Marriage’ with undertones of Stephen King.
With the World Cup looming in North America this summer, Simon Kuper offers a compelling—and depressing—history of this unique tournament.
After troubleshooting Tim Berners-Lee’s memoir, it becomes clear that the internet’s flaws were there from the start.
A new book on ‘The Magic Mountain’ grapples with the contradictions of history.
On his latest album, the singer-songwriter explores themes of fatherhood, time, and forgiveness.
On the 10th anniversary of David Bowie’s death, three books consider the rock star from new angles.