Or Not So Well
Glyn Salton-Cox on what "Or Orwell" and "Orwell's Nose" can tell us about the much-studied George Orwell.
"There is nothing more poetic and terrible than the skyscrapers' battle with the heavens that cover them." — Federico García Lorca
Glyn Salton-Cox on what "Or Orwell" and "Orwell's Nose" can tell us about the much-studied George Orwell.
Glyn Salton-CoxSep 19, 2016
Margaret Morrison reviews “What the Eye Hears: A History of Tap Dancing” by Brian Seibert.
Margaret MorrisonSep 18, 2016
Steven L. Isenberg appreciates the vibrancy of Keith Douglas, Britain’s greatest poet of World War II.
Steven L. IsenbergSep 16, 2016
Joshua Baldwin remembers the second and final implosion of the Riviera Hotel and Casino.
Joshua BaldwinSep 10, 2016
Nina Revoyr on writing with a full-time (non-teaching) job — not just the challenges, but the benefits.
Nina RevoyrSep 9, 2016
Part two of Anthony McCann's essay on the occupation of the Malheur Wildlife Refuge in Oregon.
Anthony McCannSep 8, 2016
Part one of Anthony McCann's essay on the occupation of the Malheur Wildlife Refuge in Oregon.
Anthony McCannSep 7, 2016
Timothy Aubry on Mark Greif's "Against Everything."
Timothy AubrySep 5, 2016
Linda Martín Alcoff discusses the history and meaning of “whiteness” as a racial category and social identity in an interview with Andrew Waddell.
Andrew Duncan WaddellSep 1, 2016
Christopher Knapp looks back on "Let Us Now Praise Famous Men."
Christopher KnappSep 1, 2016
Is there more to life than chugging cheap beer and yelling, "Life sucks shit"? Joe Bucciero looks at "Heavy Metal Parking Lot" to find out.
Joe BuccieroAug 30, 2016
How should you write a novel? David Francis looks to Alice Mattison's "The Kite and the String" to find out.
David FrancisAug 28, 2016