“The Word ‘Future’ Wasn’t Part of My Vocabulary”: On Cookie Mueller’s “Walking Through Clear Water in a Pool Painted Black: Collected Stories”
Nathan Dunne reviews Cookie Mueller’s “Walking Through Clear Water in a Pool Painted Black.”
"The older one grows, the more one likes indecency." — Virginia Woolf
Nathan Dunne reviews Cookie Mueller’s “Walking Through Clear Water in a Pool Painted Black.”
Nathan DunneJul 25, 2022
Colleen Creighton considers Laura Trujillo’s “Stepping Back from the Ledge: A Daughter’s Search for Truth and Renewal.”
Colleen CreightonJul 22, 2022
Cory Oldweiler reviews Markiyan Kamysh’s memoir, “Stalking the Atomic City: Life Among the Decadent and the Depraved of Chornobyl.”
Cory OldweilerJul 22, 2022
Mairead Small Staid reviews Celia Paul’s new mixed-genre memoir, “Letters to Gwen John.”
Mairead Small StaidJul 6, 2022
Jason Christian considers “The Last Days of Roger Federer: And Other Endings” by Geoff Dyer.
Jason ChristianJul 4, 2022
Brittany Bronson considers John M. Glionna’s collection of essays about rural Nevada.
Brittany BronsonJun 23, 2022
Todd Cronan on Zadie Smith’s politics of compassion.
Todd CronanJun 20, 2022
Rishi Reddi explores Madhushree Ghosh’s treatment of food, language, immigration, and colonialism in “Khabaar.”
Rishi ReddiJun 19, 2022
Charlotte Hecht reviews the anthology “The Lonely Stories: 22 Celebrated Writers on the Joys & Struggles of Being Alone,” edited by Natalie Eve Garrett.
Charlotte HechtJun 16, 2022
Ellen Wayland-Smith explores the meanings of exile and impermanence “Red Paint: The Ancestral Autobiography of a Coast Salish Punk” by Sasha taqʷšəblu LaPointe.
Ellen Wayland-SmithJun 10, 2022
Wayne Catan connects with “Miss Chloe: A Memoir of a Literary Friendship with Toni Morrison” by A. J. Verdelle.
Wayne CatanJun 6, 2022
Janet Fitch takes a tour of “Ways of Walking,” a collection of essays edited by Ann de Forest.
Jun 5, 2022