Victoria Chang is the author of OBIT, which received the Los Angeles Times Book Prize, the PEN Voelcker Award, and the Anisfield-Wolf Book Award. Her latest book is The Trees Witness Everything (2022). She is the incoming Bourne Chair in Poetry at Georgia Tech.
Victoria Chang
Articles
Two Roads: A Review-in-Dialogue of Will Harris’s “Brother Poem” and Evie Shockley’s “Suddenly We”
Victoria Chang and Dean Rader review Will Harris’s “Brother Poem” and Evie Shockley’s “Suddenly We.”
Two Roads: A Review-in-Dialogue of Jenny Xie’s “The Rupture Tense” and Monica Youn’s “From From”
Victoria Chang and Dean Rader review Jenny Xie’s “The Rupture Tense” and Monica Youn’s “From From.”
Two Roads: A Review-in-Dialogue of Roger Reeves’s “Best Barbarian”
Victoria Chang and Dean Rader consider “Best Barbarian,” a collection of poems by Roger Reeves.
Two Roads: A Review-in-Dialogue of First Books: Amanda Moore’s “Requeening,” Paul Tran’s “All the Flowers Kneeling,” and Devon Walker-Figueroa’s “Philomath”
Victoria Chang and Dean Rader consider Amanda Moore’s “Requeening,” Paul Tran’s “All the Flowers Kneeling,” and Devon Walker-Figueroa’s “Philomath.”
Two Roads: A Review-in-Dialogue of Joan Naviyuk Kane’s “Dark Traffic”
Victoria Chang and Dean Rader consider “Dark Traffic” by Joan Naviyuk Kane.
Two Roads: A Review-in-Dialogue of Tracy K. Smith’s “Such Color: New and Selected Poems” and Arthur Sze’s “The Glass Constellation: New and Collected Poems”
Victoria Chang and Dean Rader consider “Such Color” by Tracy K. Smith and “The Glass Constellation” by Arthur Sze.
Two Roads: A Review-in-Dialogue of Douglas Kearney’s “Sho”
Victoria Chang and Dean Rader consider “Sho” by Douglas Kearney.
Two Roads: A Review-in-Dialogue of Donika Kelly’s “The Renunciations”
Victoria Chang and Dean Rader discuss “The Renunciations” by Donika Kelly.
Two Roads: A Review-in-Dialogue of G. C. Waldrep’s “The Earliest Witnesses”
Victoria Chang and Dean Rader consider “The Earliest Witnesses” by G. C. Waldrep.
Two Poems (A Debt, What Is Modern)
Two new poems by Victoria Chang from the High/Low issue of the LARB Quarterly Journal, no.29.
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