Joshua Glick is an associate professor of film and electronic arts at Bard College. He is the author of Los Angeles Documentary and the Production of Public History, 1958–1977 (University of California Press, 2018) and co-curated the exhibition Deepfake: Unstable Evidence on Screen at the Museum of the Moving Image. His current book project explores the rising investment in documentary on the left and right of the political spectrum over the last 30 years.
Joshua Glick
Articles
“Here” and Now: Hollywood’s Dubious AI Wager
Joshua Glick explores how Robert Zemeckis’s unsatisfying dependence on AI in “Here” reflects the state of our culture.
Studio Branding in the Streaming Wars
Joshua Glick considers the differentiation strategies of the streaming platforms in historical context.
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