Chris Yogerst, a regular contributor to the Los Angeles Review of Books, is an associate professor of communication at the University of Wisconsin–Milwaukee. His most recent book is The Warner Brothers (2023). Chris is also the author of From the Headlines to Hollywood: The Birth and Boom of Warner Bros. (2016) and Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures (2020). His writing can be found in The Hollywood Reporter, The Washington Post, The Journal of American Culture, and Historical Journal of Film, Radio and Television. Find him on Twitter @chrisyogerst as well as Instagram and Facebook @cyogerst.
Chris Yogerst
Articles
Into the Archives: On “Letters from Hollywood”
Chris Yogerst reviews a revealing collection of letters from the Golden Age of Hollywood.
Why We Shouldn’t Fear Joker
Chris Yogerst examines the history of misconceptions about violent films spurring real-world violence.
Mel Brooks, Boomer’s Comedian
Mel Brooks looked for boundaries to cross and conventions to subvert, but his best work rarely came from crossing social and political boundaries.
Everyone Can Benefit from Dreyer’s English — Especially Scholars
Chris Yogerst reviews Random House copy chief Benjamin Dreyer's "Dreyer's English."
The Women Who Knew Howard Hughes
Chris Yogerst reviews Karina Longworth’s "Seduction: Sex, Lies, and Stardom in Howard Hughes’s Hollywood."
The Most Powerful Person in Hollywood Without a Studio
The most powerful man in Hollywood didn’t make movies. He was a shady journalist.
Wave of Anti-Semitism Today Resembles Prewar Attitudes Towards Jewish-Led Hollywood
Chris Yogerst on the echoes of prewar anti-Hollywood sentiment in today's anti-semitism.
How Stan Lee Became the Man Behind Marvel
Chris Yogerst on Bob Batchelor's recent biography of the comic book legend.
Hollywood, Los Angeles Spies, and the Underground Battle Against Hitler
Two new books tell the story of how one alarmed volunteer in L.A.’s Jewish community helped take down Nazi spies in the years leading up to World War II.
The Real and the Imagined in Douglas Rushkoff’s “Aleister & Adolf”
"Aleister & Adolf" emphasizes the importance of understanding how messages are created, how they are used, and how they persist over time.
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