Still in the Dark
If the CCA is finally dead and buried, why does it keep rearing its ugly head?...
Moore has worked with young women in Cambodia on independent media projects, and with people of all ages and genders on media and gender justice work in the US. Her journalism focuses on the international garment trade. Moore exhibits her work frequently as conceptual art, and has been the subject of two documentary films. She has lectured around the world on independent media, globalization, and women’s labor issues. Co-editor and publisher of the now-defunct Punk Planet, and founding editor of the Best American Comics series from Houghton Mifflin, Moore teaches in the Visual Critical Studies and Art History departments at the School of the Art Institute of Chicago.
The multi-award-winning author has also written for The Baffler, N+1, Al Jazeera, Good, Snap Judgment, Bitch, the Progressive, The Onion, Feministing, Snap Judgment, The Stranger, In These Times, The Boston Phoenix, and Tin House. She has twice been noted in the Best American Non-Required Reading series. She has appeared on CNN, WNUR, WFMU, WBEZ, Voice of America, GritTV with Laura Flanders, Radio Australia, and NPR’s Worldview, and others. Moore mounted a solo exhibition at the Museum of Contemporary Art in Chicago in 2011 and in 2012 participated in Artisterium, the Republic of Georgia’s annual art invitational. Her work appeared in the 2008 Whitney Biennale, has been exhibited in the Spinnerei in Leipzig Germany in 2010, and made up one of the first conceptual art exhibitions in Phnom Penh, Cambodia in 2010. Her work has been featured in USA Today, Marie Claire, Phnom Penh Post, Portland Mercury, Bust, Entertainment Weekly, Time Out Chicago, Hyphen Magazine, Truthout, Make/Shift, Bookslut, Today’s Chicago Woman, New York Review of Books, Windy City Times, Print Magazine, and the New York Times, among many more. She has lectured at dozens of universities, libraries, and conferences around the globe.
If the CCA is finally dead and buried, why does it keep rearing its ugly head?...
Paul Gravett’s comprehensive history of comics is not comprehensive at all....
Nonfiction comics — the rest of the world is ahead of the US....
Anne Elizabeth Moore offers a frank review of Gilbert Hernandez’s Julio’s Day and a little love, too....
Los Angeles Review of Books is happy to announce that ANNE ELIZABETH MOORE has taken over the post of comics editor, now that our original editor, Ben Schwartz, who edited the section since we started, has stepped down. Anne Elizabeth Moore ...