The Digital in the Humanities: An Interview with Pamela Fletcher
Part 7 of a new series exploring the role of the digital humanities, as well as the digital in the humanities as it currently exists in the US academy.
Part 7 of a new series exploring the role of the digital humanities, as well as the digital in the humanities as it currently exists in the US academy.
An interview with English screenwriter and director Terence Davies on his new film "Sunset Song", adapted from Lewis Grassic Gibbon's classic novel.
To MFA or not to MFA? Mishka Shubaly on regret.
"You are originating when you translate; [...] you’re co-writing, you’re creating something in English from another language, it’s a creative act."
A conversation with Judy Chaikin, director of "The Girls in the Band".
Sara-Kate Astrove and Zoe Zolbrod talk about what it means to be a victim.
In “St. Marks Is Dead”, writer Ada Calhoun traces 400 years of the street beginning with Peter Stuyvesant’s expansive farm to the karaoke bars of today.
"By reading literature in translation, we become citizens of the world."
Rob Spillman comes down from the ledge.
Tucker Coombe interviews Bronwen Dickey about her new book, “Pit Bull: The Battle over an American Icon”.
Jabeen Akhtar interviews playwright, novelist, and screenwriter Ayad Akhtar.
James Ziskin on his signature character, Ellie Stone.
Joe Hill on his new novel "The Fireman", apocalyptic literature, and Martha Quinn.
"The medieval argument for God’s existence is God defined as that which there is nothing greater than ... I think it’s a cogent argument 700 years later."
"I’m not for the status quo, so I don't know how to write anything but untidy, slightly melancholy endings."
Christopher Sorrentino on the publishing industry, the joys of genre cross-pollination, and his new novel, "The Fugitives".