Comment for Comment: On Michael Tedder’s “Top Eight”
Grant Sharples reviews Michael Tedder’s “Top Eight: How MySpace Changed Music.”
"The nineteenth century believed in science but the twentieth century does not." — Gertrude Stein
Grant Sharples reviews Michael Tedder’s “Top Eight: How MySpace Changed Music.”
Grant SharplesAug 20, 2023
In a preview of LARB Quarterly no. 38: Earth, Ali Bektaş examines one of the state’s most contentious and consequential industries.
Ali BektaşAug 5, 2023
The pleasures of reading the titles from MIT Press’s new Radium Age series, writes historian of science Michael Gordin, lies in the science fiction genre not yet having congealed.
Michael D. GordinJul 27, 2023
Andrew Ahern reviews Kohei Saito’s “Marx in the Anthropocene: Towards the Idea of Degrowth Communism.”
Andrew AhernJul 23, 2023
W. J. T. Mitchell asks, What kind of intelligence does AI actually represent?
W. J. T. MitchellJul 22, 2023
Many decades before generative AI, the writer J. M. Coetzee actively engaged with machine voices, says Andrew Dean, and also grappled with the perils of “automatism,” as he called it, the tendency of language to reproduce itself.
Andrew DeanJul 19, 2023
Gary Cross reviews Darryl Holter and Stephen Gee’s “Driving Force: Automobiles and the New American City, 1900–1930.”
Gary CrossJul 15, 2023
Mary L. Holden considers Melissa Sevigny’s “Brave the Wild River: The Untold Story of Two Women Who Mapped the Botany of the Grand Canyon.”
Mary L. HoldenJun 25, 2023
Nora N. Khan interviews writer and artist Mashinka Firunts Hakopian about her new book, “The Institute for Other Intelligences.”
Nora N. KhanJun 19, 2023
Jenny Liou reviews Scott Chaskey’s “Soil and Spirit: Cultivation and Kinship in the Web of Life.”
Jenny LiouJun 18, 2023
Ellen Wayland-Smith is haunted by Audrey Clare Farley’s exposé, in “Girls and Their Monsters: The Genain Quadruplets and the Making of Madness in America,” of white American mid-century pathologies.
Ellen Wayland-SmithJun 13, 2023
Massimo Mazzotti uses a forgotten episode in revolutionary Naples to demonstrate the entanglement of mathematics and politics.
Massimo MazzottiJun 2, 2023