Uncreative Writing for a Digital Age
For Kenneth Goldsmith, “contentious” has become something of a brand.
"Never be afraid to sit awhile and think." — Lorraine Hansberry
For Kenneth Goldsmith, “contentious” has become something of a brand.
Stephanie BolandFeb 8, 2016
"What has to happen in a person's life for them to become a critic, anyway?"
Manuel BetancourtFeb 8, 2016
Bernard Harcourt does a masterful job identifying desire as the engine that powers the voluntary surveillance conundrum.
Dennis TenenFeb 5, 2016
The joy of the series lies in encountering the various turns to which each of their authors has been put by his or her object.
Julian YatesJan 11, 2016
Gone is the heyday of the enlightened institution. It is possible, some fear, that an anti-education has emerged in its wake.
Mimi HowardJan 9, 2016
In demanding something like fully automated luxury communism, Srnicek and Williams are ultimately asserting the rights of humanity as a whole to share in the spoils of capitalism.
Ian LowrieJan 8, 2016
Hurricane Katrina made visible what Butler has called the differential distribution of precarity.
Alan Van WykDec 28, 2015
In "The Limits of Critique," Felski argues that critique has become the very kind of common sense it sets out to expose.
Matthew MullinsDec 27, 2015
Harry Frankfurt has elegantly and brilliantly undergirded the centrist liberal's rejection of equality as a goal.
Raphael MagarikDec 23, 2015
A Jew who was (and is) called anti-Semitic for her controversial portrait of Eichmann.
Kathleen B. JonesDec 8, 2015
The bibliography on life during climate change has swelled in recent years. Purdy and Scranton each offer a powerful reckoning with our bewildering present.
Rebecca Tuhus-DubrowNov 30, 2015
Owen Flanagan reviews George Makari's "Soul Machine."
Owen FlanaganNov 28, 2015