A Source of Spectacle
Mario Bellatin reveals all and (almost) nothing at all.
"The older one grows, the more one likes indecency." — Virginia Woolf
Mario Bellatin reveals all and (almost) nothing at all.
Alex EspinozaJun 15, 2016
Rob Spillman comes down from the ledge.
Stephanie NewmanJun 14, 2016
Brenda Miller reviews Eva Saulitis’s posthumous essays that reflect on living and dying with cancer.
Brenda MillerJun 1, 2016
There is an equally heartbreaking loss of another young doctor in Paul Kalanithi’s book, one especially troubling because it received almost no commentary.
Lois LeveenMay 25, 2016
A review of Chris Offutt’s memoir of his father, a science-fiction writer and pornographer.
Natassja SchielMay 23, 2016
Sometimes aesthetic beauty is a window, sometimes it is a curtain. Annie Dillard makes beautiful work either way.
Melissa Holbrook PiersonMay 22, 2016
Ana Castillo has a new memoir about being a daughter, and being a mother.
Gabriel San RománMay 19, 2016
"Last Exit to Brooklyn" was actually shooting around the corner that summer — I signed on as an extra but my scenes didn’t make the final cut.
Robert AnasiMay 11, 2016
It’s the journey, not the destination, in Rob Spillman’s new memoir "All Tomorrow's Parties".
Erika SchickelMay 10, 2016
Peter LaSalle follows the literal footsteps of Borges, Flaubert, Malcolm Lowry, and Nathanael West, though he has a way of veering off-course.
J. T. PriceMay 10, 2016
An essay from the Spring 2016 edition of the LARB Quarterly Journal.
Michael J. AgovinoMay 8, 2016
In Sonja Livingston's "Ladies Night at the Dreamland", the ladies are apparitions — as is the author herself, fading in and out, haunting these pages.
Sariah DorbinMay 2, 2016