Mary Helen Washington is Distinguished University Professor in the English Department at the University of Maryland, College Park, specializing in 20th- and 21st-century African American literature. Her monograph, The Other Blacklist: The African American Literary and Cultural Left of the 1950s (Columbia University Press, 2014), received Honorable Mention in the William Sanders Scarborough Prize competition from The Modern Language Association. She has edited three groundbreaking collections of African American literature: Memory of Kin: Stories About Family by Black Writers (Random House, 1991); Black-Eyed Susans and Midnight Birds: Stories By and About Black Women (Doubleday, 1990); and Invented Lives: Narratives of Black Women, 1860-1960 (Doubleday/Anchor, 1987). She was president of The American Studies Association from 1996–1997 and was awarded the American Studies Association’s Carl Bode-Norman Holmes Pearson Prize for lifetime achievement in 2015. Her current project, Paule — Like A Man: A Biography of Paule Marshall, will be published by Yale University Press, 2022.

Mary Helen Washington

Shaun Myers is assistant professor of English at the University of Pittsburgh. Her work has appeared or is forthcoming in&nbsp;American Literary History,&nbsp;South Atlantic Quarterly, and&nbsp;African American Literature in Transition, 1980-1990. She is currently working on a book that traces how writers such as Toni Morrison, Octavia Butler, and&nbsp;Andrea&nbsp;Lee invented narrative forms that refuse the historical demand to apprehend and determine blackness.

Shaun Myers

“Cobbling It All Together”: Mary Helen Washington and Shaun Myers, In Conversation

Education

Shaun Myers is assistant professor of English at the University of Pittsburgh. Her work has appeared or is forthcoming in&nbsp;American Literary History,&nbsp;South Atlantic Quarterly, and&nbsp;African American Literature in Transition, 1980-1990. She is currently working on a book that traces how writers such as Toni Morrison, Octavia Butler, and&nbsp;Andrea&nbsp;Lee invented narrative forms that refuse the historical demand to apprehend and determine blackness.