Roberto Tejada is the author of poetry collections Full Foreground (Arizona, 2012), Exposition Park (Wesleyan, 2010), Mirrors for Gold (Krupskaya, 2006), Todo en el ahora (Libros Magenta, 2015), selected poems in Spanish translation, and a LatinX poetics of the Americas, Still Nowhere in an Empty Vastness (Noemi, 2019). He is the author of art histories that include National Camera: Photography and Mexico’s Image Environment (Minnesota, 2009), Celia Alvarez Muñoz (Minnesota, 2009), and, co-authored with Michelle White and others, Allora & Calzadilla: Specters of Noon (Yale, 2021). He is the Hugh Roy and Lillie Cranz Cullen Distinguished Professor in Creative Writing and Art History at the University of Houston.
Roberto Tejada
Articles
The Limit of Lyrical Thinking: A Conversation with Susan Briante
Roberto Tejada talks with Susan Briante about migration, documentary poetics, and her new book “Defacing the Monument.”
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