Max Nelson is a New York–based film critic who regularly contributes to Reverse Shot, Cinema Scope, and Film Comment, where he writes a bimonthly column on new and upcoming restoration work.
CONTRIBUTOR ARTICLES
“This Barren Land”: Bob Dylan’s Gospel Variations
One of the most striking and elusive aspects of Dylan's recent music is the way it channels the tone of American gospel songs....
Present and Accounted For: On James Harvey’s Watching Them Be
Harvey convinces us, for nearly 300 pages, that the book is about the stars themselves when it is in fact about the process of watching them....
Wes Anderson’s Elegy to Stefan Zweig
On "The Grand Budapest Hotel"...
