Mark Robertson

Mark Robertson’s law practice focuses on copyright, trademark, contract drafting, and other issues common to music business transactions, as well as civil litigation involving contracts and view rights. A lifelong musician, Robertson got his start in the business side of the music industry at the seminal concert promotion company Bill Graham Presents. While in law school, Robertson was a national finalist and scholarship recipient in the Grammy Foundation’s Entertainment Law Initiative writing competition. As Editor-in-Chief for volume 29 of the Loyola of Los Angeles Entertainment Law Review, Robertson spearheaded a symposium on the “making available” right. Also while in law school, Robertson did pro bono work for Loyola’s Cancer Legal Resource Center and interned at both the legendary film studio Metro-Goldwyn-Mayer and the San Diego Public Defender’s office. Mark’s comment Sparing Internet Radio from the Real Threat of the Hypothetical Marketplace appears in volume 10 of the Vanderbilt Journal of Entertainment and Technology.


CONTRIBUTOR ARTICLES

The “Who, What, and Why” Behind Guantánamo: An Interview with Jess Bravin
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Open to any author writing in English about the Chicanx/Latinx experience, the Rivera Book Prize is committed to the discovery and fostering of extraordinary writing by a first-time or early career author whose work examines the long and varied contributions of Chicanx/Latinx in the US. The Rivera Book Prize aims to provide a platform that showcases the emerging literary talent of the Chicanx/Latinx community, to cultivate the next generation of Chicanx/Latinx writers, and to continue the rich literary memory of Tomás Rivera, Chicano author, poet, activist, and educator.

Entry Fee: $35. Entry fees are non-refundable.

Apply HERE