Toward a Genealogy of Fossil Capitalism: On Mohamed Amer Meziane’s “The States of the Earth”
Ed Simon reviews Mohamed Amer Meziane’s “The States of the Earth: An Ecological and Racial History of Secularization.”
Ed Simon reviews Mohamed Amer Meziane’s “The States of the Earth: An Ecological and Racial History of Secularization.”
Ryan Coleman reports from the Los Angeles Festival of Movies.
Alyx Vesey bemoans the cancellation of HBO Max’s series about a female hip-hop duo, “Rap Sh!t.”
Renee Hudson reviews Xochitl-Julisa Bermejo’s “Incantation: Love Poems for Battle Sites.”
Svetlana Satchkova reviews Sasha Vasilyuk’s “Your Presence Is Mandatory.”
After reading Jason A. Heppler’s “Silicon Valley and the Environmental Inequalities of High-Tech Urbanism,” Patrick McCray decides that Silicon...
Dorothy Berry reviews Laura Helton’s “Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History.”
Robert P. Crease reviews Adam Frank, Marcelo Gleiser, and Evan Thompson’s “The Blind Spot: Why Science Cannot Ignore Human Experience.”
Shoshana Olidort reviews Mireille Gansel’s “Soul House.”
Brittany Menjivar reviews Nicolette Polek’s “Bitter Water Opera.”
Dashiel Carrera reviews Nicolette Polek’s “Bitter Water Opera.”
Manan Kapoor reviews “Songs of an Eastern Humanist” by Edward Said.
Catherine Chou discusses “Taiwan: A Contested Democracy Under Threat” by Jonathan Sullivan and Lev Nachman.
Bob Blaisdell reviews Sophie Ratcliffe’s “Loss, a Love Story: Imagined Histories and Brief Encounters.”
Edward Carver reviews Leah Hunt-Hendrix and Astra Taylor’s “Solidarity: The Past, Present, and Future of a World-Changing Idea.”
Naa Oyo A. Kwate lauds Uché Blackstock’s grounded memoir about racism in medicine and denounces Constance Hilliard’s genetic explanation for Black...