For National Poetry Month: "Days of Valentine," "Forgiveness," "Dark Notes I," "Dark Notes II"

By Fady JoudahApril 24, 2014

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    DAYS OF VALENTINE


    In their faraway land in the year of their death
    or on the month of their maiming
    they were children


    The war there hadn’t ended but mass killing mass
    graves had stopped and the war there is a here


    What’s mass equal to?
    my daughter asks from her upstairs room


    I say if you don’t remember it still figure it out
    through the units marauding by in the question


    I said in their faraway land
    in the year of their death
    and on that time of the month
    they were children good art and good masses


    And you and I are a freak show
    who might solve the riddle of headaches swallow


    the Tylenol sword which would be long
    before it’s over-their-counter


    So many teenagers look under age
    and look well


    Get the fuck out I said don’t come back
    without a guardian


    We are of age the children said we rear bear
    siblings arms and I said where where
    is your pubic hair and birth certificates 


    As if pubic hair were all that
    as if the cutoff is our Oliver Stone syndrome


    The poem says I’m here to praise
    the poem says Henry Miller and the plague the poets
    whose songs we sing in marches are all dead


    And mass is still mass
    greater minds and greater failures


    and women sneak out of tenderness
    to equal rights to units in the machine


    First come women and children
    second come women and children
    third come women and children


    and then I wake up
    a boy cornered by gunfire


    and like the gentle shift
    of a water hose on car in driveway
    or sprinkler over grass


    under a forget-me-not sky
    gunfire soaks me and my father


    The next day is balanced
    declaring its bloodied palms


    “Savages”
    shouts a doctor in the doctors’ lounge


    but I once shocked a man out of fatal rhythm
    just before unconsciousness reached him
    and it hurt him like hell


    I could hear it in his scream 


    I wake a child up
    and trust the world then say


    Good morning sweetie
    good morning


    ¤


    FORGIVENESS


    He was in Iwo Jima
    now at home hospice for emphysema
    on oxygen with lower-limbs edema


    I’m your one and only
    Arab Muslim friend I said
    He said pour Gold


    Label on my grave quench my thirst
    through your kidneys first
    and laugh and laugh we did


    ¤


    DARK NOTES I 


    Because you and I were thrown a thorn not a throne
    a butterfly bone in the mind


    And weather whether smoke
    in the rain is awn of the rain or glume for plume
    is the truth we tell xanaxed


    Beauty is black in the black and roses are deep in the red
    but karyotype aside


    what one does with the towel
    is how one makes cancer history


    Hours coming like waves jumping rope
    one Mississippi
    two Mississippi


    ¤


    DARK NOTES II 


    What I needed was skin other than that
    of a bacteriophage and other than that


    mist was falling like a mirage
    on Rothko’s chromatography or electrophoresis


    I needed a lucency that isn’t a lysis but a list
    of ester hints we seat


    on neural bulb tips
    chocolate there and plums and berries


    symphonies of earth extracurricular
    A kiss


    is free of a people free
    of a nation or the discipline of saliva’s substrate


    A kiss is bread like bread we kissed
    as balcony knives lit our trail


    My heart’s a doe’s
    a doe’s made for running away


    ¤


    Fady Joudah is a Guggenheim fellow in poetry. He received the Griffin International Poetry Prize in 2013.

    LARB Contributor

    Fady Joudah's most recent poetry collections are Footnotes in the Order of Disappearance and Tethered to Stars, both from Milkweed Editions. He is also the author of the poetry collections Alight and Textu, both released by Copper Canyon Press. He is the recipient of the Griffin International Poetry Prize in 2013 and is a Guggenheim fellow in poetry.

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