Renga Spring 2020

Marilyn Hacker and Karthika Naïr share a renga in the time of coronavirus

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Crocus, primroses,


in locked-down Square Léopold- 


Achille. The plague spring.


Rana sent me a photo


of police on Hamra Street


enforcing curfew.


The boy I watched on the roof 


of the refugee


squat was locked down already,


daily, among washing lines.


— MH, 29 March 2020




Daily lines burgeon


on Louis Blanc pavements, each sprout 


five feet from the next:


Human un-blossoms outside


baker-butcher-grocers’ doors.


One out for one in;


gloved, masked, sanitized before


and after each yield.


The pigeons strutting the same


sidewalks heed no distancing.  


— KN, 30 March 2020




Distance between us…”


she wrote long ago, and then


made it permanent.


Charpentier Vêpres à la Vierge
(while I’m doing the dishes)


on the comforting


old squat black CD player:


for a moment, there’s


connection, if only with 
that perplexed self, desiring. 


— MH, 30 March 2020




The desire for self


to be more, more than terra


firma for virus


settlements begets fresh creeds.


Parisians grunt and wheeze praise


to Lord Jogging, while


roaming forlorn as our streets.


Romans hymn and drum


Volare from balconies.


Jack Bernhardt downs ten thousand,


yes, minutes of Bones —
libation of eyes and wits


to fair Agent Booth.


The right mantra for lúc lắc


spurs my quest across the ’Net.


— KN, 31 March 2020




Across the street, a


girl stands lengthily at the


window, smoking and


looking at empty sidewalks,


sun-soaked on April first.


I wished the tourists


would disappear. Now they’re gone.


Watch what you wish for!


In purdah, in quarantine,


I dice one more aubergine.


— MH, 1 April 2020




Aubergine, once more —


braised, bhartha-ed, basil-and-beef-


fried … in any form:


The thought invades aurous noons,


leaves sharp pugmarks on my dreams 


these still-wintry nights.


Preschoolers play COVID-age


tag in our courtyard:


Not more than two at a time,


and “catch” with an out-flung glove. 


— KN,  3 April 2020




We drove out to the


place they called Karantina


where crews of ships from


Europe once waited forty


days to be declared plague-free.


Desolate still, but


in a lonely high-rise, in


a vast gallery,


the ninety-year-old painter’s


new gouaches, texts, tapestries.


Afterward, a huge


Armenian lunch in Bourj


Hammoud with my two


young friends: nobody knew the


quarantine was just starting. 


— MH, 3 April 2020




Bedlam just started
here, N writes from New Delhi’s


migrant-worker camps.


How will they lockdown millions


who have neither doors nor roof?


Millions who must walk


many moons to reach a home


to self-isolate.


Prime Minister Modi bids


his nation to light candles.


President Macron, 


meanwhile, warned us off facemasks


unless really ill.


Spring: the dearth, in my two lands,


of roses for all the graves. 


— KN, 4 April 2020




Rose garden hidden


in the Square du Grand Veneur —


it’s starting to bud,


but the gates are locked, only


kids from the logements sociaux


in the enclosure


peer through the grates, in strange


bright April sunlight.


Here’s a petition against 


euthanizing the sick old.


— MH, 5 April 2020




Sick and old: for Laure


and Serge, teens from Block D, I


now tick both boxes.


L — four-inch heels keen across 


cobblestones — rushes to hold


open all our doors.


Their mom, though, no longer hails


me with nod and smile:


Chemo-shorn, browless beings


in masks could spell one more germ. 


— KN, 6 April 2020




One more spell, one more


incantation — it’s only


“The Art of the Fugue”


or Hildegard of Bingen


or Alice Coltrane: music


mutes anxiety.


Abida Parveen sings


a Hafez ghazal


cross-legged, eloquent hands. …


I pick out a word or two. 


— MH, 6 April 2020 




Two words, now, for me:


Hum dekhenge — We shall see


Iqbal Bano soars


skyward on Faiz’s refrain, and


something steelier than hope


lights the heart once more.


Heart that fluttered last evening,


stalled a few instants:


a frog in the throat these days


hearkens to beasts less winsome.


— KN, 9 April 2020




Ego, clawing beast:


with or without our selfhood, 
beasts try to survive,


as does each isolate “I,”


newly dispensable, or


in the equation.


Lock up these, those, forever,


then open the doors.


I open late windows on


unnatural bright April. 


— MH, 10 April 2020




Bright as this April


Isa, flushed after cycling


from Pantin — risking


dour fines we none can afford—


brings me dorayaki, home-


made with sweet red beans


crushed and flour ground by Nico,


who’d foraged for weeks.


Balm for my bile-deluged gut,


swaddling for sleep-deprived dreams.


Wajdi Mouawad writes


to his infant, unknowing


son “Quoi dire de plus


urgent que l’amour ?” Sometimes,


pancakes will do just as well.


— KN, 13 April 2020




Pancakes, not huîtres,


phone calls, texts, instead of wine-


flavored exchanges


in the public privacy


of a café. Sautéed snow


peas, shallots, chicken,


wine anyway, but for one,


yesterday’s bread, a 


departing moon above roof-


dormers, now my horizon.


— MH, 14 April 2020




My horizon, each


week: the poppy-printed, teal


hair cap of Nurse Rose


(handstitched, the florets for cheer)


as she disinfects — “secures,”


in the martial cant


so dear to our president – 


my port-a-cath site.


She, of calm hands and raptor


gaze, snags any truant vein. 


— KN, 15 April 2020




I play truant when


I go to the bakery,


or Russian roulette


for a baguette tradition,


une réglette de macarons. 


I should be indoors.


Back inside I’m dizzy with


fear, but I eat one,


two, caramel macaroons.


“Look, we have come through?” Who knows? 


— MH, 15 April 2020




Who knows anything today?


Prefects, priests, pressmen,


physicians … no one. 


Yet, wait, everyone we know,


or don’t, dons shades of prophet. 


Sun-drenched flowed the Quais 


de Valmy and de Jemmapes


these last afternoons


while I brooded indoors with


Coke as cure and company.


— KN, 18 April 2020




Wolves accompany


me, a dream I’d like to have,


lope across a steppe


howl an ode to the half-moon,


break bread with al-Farazdaq,


hunt mice if we must.


Overarching, the night sky


blankets the city


we’re immured in, or opens


it up to ghazals of rain. 


— MH, 19 April 2020




A rain of ghazals,


petrichor from verse by long-


lost poets, crumble


many saber-toothed daymares,


if just for a rainbow while.


Ghālib, Faiz, Firaq,


Sahir (always Sahir), then


the doyen, Khushru:


sufi, secular or plain


kafir, their ghazal, nazm and 


sher the first to strike


my early, unlearned ears;


demand rebellion


yet earn adoration from 


a resolute nastik heart. 


— KN, 20 April 2020




My atheist heart’s


an impatient physician,


has no words to calm


vertigoes, palpitations


provoked by a sentence in


a news brief, or just


the sameness of spring days that


lengthen, out of reach.


No words then, music, numbers


and feeling, metal, thoughts, reeds:


oud, violin or


saxophone, behind them


a mind, hands, a mouth


unseen as a friend’s face now.


Today, the doctor’s Mozart. 


— MH, 21 April 2020




My doctors Bourrat


and Blazy — Amazons with


spines of carbon steel,


shafts marked truth and solace,


fingers the envy of neat


goldsmiths — take the time


to write and ring, enquire


and devise relief,


with bad puns, in pandemics,


covering for painkillers.


— KN, 23 April 2020




Covering her face


with the mask she’ll wear all night,


my daughter goes to


meet the patient first in the


queue: midnight in the ER.


Through nights in Aceh


after the tsunami, in


a hospital tent


she saw herself back in school,


saw herself the physician.


I imagined her


then, now, at a different


distance, think of her


unmasking in the morning,


driving home to walk the dogs.


— MH, 23 April 2020




Home with the dogs — four —


and spouse of five-odd decades,


my dad (veteran


of three wars; child, too, of World


War II, famines, a blood-steeped


Partition) thunders


at the virus, the lockdown,


the distance from kin …


the years of command futile


before this covert agent. 


— KN, 24 April 2020




Before, I covered 
my head to enter a mosque.


I cover my face


now, to go down to the street.


Niqab’s forbidden in France,


but masks like the one


the kiné gave me will be


obligatory.


I sent a photo of my


solo atheist Iftar


to Samira in 
Algiers, to Maryam in


London. Next year will


we sit down together to


break bread for anyone’s feast? 


— MH, 26 April 2020




Stale bread, feast for one


gleaning breath from rotting peel


and near-empty cans


of red beans from garbage bins


around the local Monop’.


Streets abandoned by


traffic and pedestrians


find homes with vagrants.


Vagrants left unfed, unsafe,


even as the cops slap fines 


on their unhoused hands,


and leaders applaud our state-


wide lockdown success.


Some deaths never figure, not


even as nameless figures. 


— KN, 28 April 2020




Known, nameless faces,


figures, throw open windows


up and down the street


each night at eight to applaud


doctors, nurses, éboueurs,


and to show ourselves


to each other at the end


of a locked-in day


I wave to the girl in the


fifth-floor dormer; she waves back.


— MH, 29 April 2020




Her sixth-floor dormer,


a cigarette, the much-loved


view of our skyline:


Claire — critical-care intern —


sighs for one, after twenty


hours on breathless feet.


Evening applause is sweet, but


she’d choose PPE


over the President’s praise —


and eggs on grocery shelves.


— KN, 1 May 2020




Shelves in the G-20


are still filled with coffee, cheese,


brown eggs, gariguettes,


Greek yoghurt, milk, wine — but I


hurry, forget tomatoes,


get out of harm’s way


(masked, gloved) as fast as I can.


Food shopping once was


community, communion.


Poison in the chalice now. 


— MH, 2 May 2020




In my chalice, now,


on good days: mouthful of fresh


cirrus and sapphire,


sometimes nimbus, with falling


sheets of vitreous heaven.


That daily ramble,


required to expel Taxol


and its unkind ilk,


impossible alone, yet


forbidden in company.


Once more, Doctor B


rides to the rescue, handing


armor to my knights:


Isa, Nico, Claire, Philippe


bear her letterhead as shield.  


— KN, 4 May 2020




A facemask as shield,


or he hopes so, bearing wine


and some news, Hisham walks


along the Corniche, open


now, toward Raouché,


his mother’s flat, where


he hasn’t been in three months.


Scholarship, maybe,


fall term in London, maybe.


Freekeh bidajaj tonight.


— MH, 4 May 2020




Tonight, an empire


of pain reigns over attempts


to write, think; to be.


Fall, even summer, graze past


ears as would submerged boulders.


RDEB — four 


horseless, shapeless, ageless words —


must play first fiddle;


second, third, and last as well


while all others earn exile.


— KN, 5 May 2020




Home becomes exile


in the punished city. Leaves


green beyond grillwork,


Nâzım Hikmet’s postcard from


prison poems on the sill.


Locked-in lovers make


love until it bores them. Once


through a hurricane


in Crete … but that was three days,


decades ago, two of us.


— MH, 7 May 2020




This, decades ago,


was how I gaped at the sea.


Reaching Rue Manin,


the years sublime, suddenly-


much-younger selves drink from this


downpour of gloaming,


we gasp at the carnival


corralled within Parc


des Buttes-Chaumont. Cedar, elm


and linden, pine, plane, and beech,


arch toward the sky;


hazelnut and cherry trees


flaunt wanton blossoms;


and the cascades underground


serenade us from afar.


— KN, 8 May 2020




From afar, but it


wasn’t, thunder, rush of dark


clouds, then crash of rain,


just after I noticed, no


gates blocked the berges of the Île


Saint-Louis. No way


but, run under the rain,


no café shelter.


Strip off once indoors, shower.


Flu, or worse, I’m on my own.


Later, on my own,


I slice shallots and mushrooms


into olive oil


and begin to imagine


I might not cough tomorrow. 


— MH, 9 May 2020




Tomorrow might bring


the unknown — new foes, allies


of Taxol; blitzkrieg


within the chest; skull afire


(the mind sentinels one front


alone, these days) — but 
also Philippe, bonne fée; by


the hospital doors,


strafed by showers or barraged — 
joyfully — by vernal sun. 


— KN, 12 May 2020


¤


Marilyn Hacker is the author of fourteen poetry collections, including Blazons (Carcanet 2019) and A Stranger’s Mirror (Norton, 2015).


Karthika Naïr is the author of several books, including the award-winning Until the Lions: Echoes from the Mahabharata (American edition: Archipelago Books, 2019).

LARB Contributors

Karthika Naïr is the author of several books, including the award-winning Until the Lions: Echoes from the Mahabharata (American edition: Archipelago Books, 2019), and principal scriptwriter for Akram Khan’s DESH (2011), Chotto Desh (2015) and Until the Lions (2016), a partial adaptation of her own book. Also a dance enabler, Naïr’s closest association has been with Sidi Larbi Cherkaoui and Damien Jalet as executive producer of works like Three SpellsBabel (Words), Puz/zle and Les Médusés, and as co-founder of Cherkaoui’s company, Eastman. 


Photo by Koen Broos

Marilyn Hacker is the author of fourteen poetry collections, including Blazons (Carcanet 2019) and A Stranger’s Mirror (Norton, 2015)  a book of essays, Unauthorized Voices,  a collaborative book, Diaspo/Renga, written with Deema K. Shehabi (Holland Park Press, 2014) and  seventeen books of translations of French and Francophone poets, most recently Samira Negrouche’s The Olive Trees’ Jazz (2020). She received the 2009 American PEN Award for poetry in translation, and the international Argana Prize for Poetry from the Beit as-Sh’ir/ House of Poetry in Morocco in 2011. She lives in Paris.


Photo by Alison Harris 

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