True Fictionalizations: On Angie Sijun Lou’s “Dark Soil” Anthology
David Lewis reviews the new anthology “Dark Soil: Fictions and Mythographies,” edited by Angie Sijun Lou.
David Lewis reviews the new anthology “Dark Soil: Fictions and Mythographies,” edited by Angie Sijun Lou.
Lucy Hornby discusses two recent biographies about former Chinese leaders Zhou Enlai and Hua Guofeng.
James Ciano reviews Catherine Barnett’s “Solutions for the Problem of Bodies in Space.”
Adam Fleming Petty reviews Lucas Mann’s “Attachments: Essays on Fatherhood and Other Performance,” rooting his analysis in his personal experience.
Margo Steines reviews Lucas Mann's “Attachments: Essays on Fatherhood and Other Performances.”
Diana Heald reviews Suzanne Scanlon’s “Committed: On Meaning and Madwomen.”
Joseph A. McCartin reviews “The Hammer: Power, Inequality, and the Struggle for the Soul of American Labor.”
Jessica Rizzo reviews David Bellos and Alexandre Montagu’s “Who Owns This Sentence? A History of Copyrights and Wrongs.”
Ruth Joffre reviews Liliana Colanzi’s “You Glow in the Dark.”
Alice Courtright reviews Marie Howe’s “New and Selected Poems.”
Enzo Escober reviews Julio Torres’s body of work, but most of all, his debut feature, “Problemista.”
Peter B. Kaufman reviews Peter Pomerantsev’s “How to Win an Information War: The Propagandist Who Outwitted Hitler.”
Jamal Batts reviews Robeson Taj Frazier’s “KAOS Theory: The Afrokosmic Ark of Ben Caldwell.”
Devin Thomas O’Shea reviews Austin Frerick’s “Barons: Money, Power, and the Corruption of America’s Food.”
Heather Treseler reviews April Gibson’s “The Span of a Small Forever” and Alice Notley’s “Being Reflected Upon.”
Ian Ellison reviews Brian K. Goodman’s “The Nonconformists: American and Czech Writers Across the Iron Curtain.”