Spies Like Us: On David McCloskey’s “Moscow X”
Katherine Voyles reviews David McCloskey’s “Moscow X.”
Katherine Voyles reviews David McCloskey’s “Moscow X.”
Hannah Kofman reviews Helen Oyeyemi's “Parasol Against the Axe.”
Meena Venkataramanan reviews two novels imagining the experiences of English literary figures George Orwell and W. Somerset Maugham in Southeast Asia...
David Shipko reviews Veer Books’ new anthology “Corroding the Now: Poetry + Science/SF.”
Bailey Trela reviews Wayne Koestenbaum’s “Stubble Archipelago.”
In an essay that takes off from Mitch Troutman’s “The Bootleg Coal Rebellion: The Pennsylvania Miners Who Seized an Industry,” native son Jonah...
Ian Ellison reviews Katja Haustein’s “Alone with Others: An Essay on Tact in Five Modernist Encounters.”
Chloe Xiang reviews Cindy Juyoung Ok’s “Ward Toward.”
Ellen Song looks at Eunice Lau’s documentary “A-Town Boyz” in the context of contemporary Asian American representation.
Courtney Tenz reviews Anna Gazmarian’s “Devout: A Memoir of Doubt.”
Herb Randall reviews Inna Faliks’s “Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage.”
LARB presents an excerpt from Alexandra Tanner’s new novel “Worry.”
In Joe Roman’s “Eat, Poop, Die: How Animals Make Our World,” Ferris Jabr finds a compelling account of important scientific insights.
Ali Rıza Taşkale analyzes the way Jonas Eika’s short story collection “After the Sun” critiques speculative finance and offers new ways to imagine...
T. M. Brown reviews Tricia Romano’s “The Freaks Came Out to Write: The Definitive History of the Village Voice, the Radical Paper That Changed...
Adrienne Raphel reviews Anna Shechtman’s “The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword Puzzle.”