Be the Alien: On Julio Torres’s “Problemista”
Enzo Escober reviews Julio Torres’s body of work, but most of all, his debut feature, “Problemista.”
Criticism
Reviews and essays about books, across all genres and subjects.
Enzo Escober reviews Julio Torres’s body of work, but most of all, his debut feature, “Problemista.”
Alice Courtright reviews Marie Howe’s “New and Selected Poems.”
Enzo Escober reviews Julio Torres’s body of work, but most of all, his debut feature, “Problemista.”
Peter B. Kaufman reviews Peter Pomerantsev’s “How to Win an Information War: The Propagandist Who Outwitted Hitler.”
Jamal Batts reviews Robeson Taj Frazier’s “KAOS Theory: The Afrokosmic Ark of Ben Caldwell.”
“Exhalation: Stories” is a stunning achievement in speculative fiction, from an author whose star will only continue to rise.
Devin Thomas O’Shea reviews Austin Frerick’s “Barons: Money, Power, and the Corruption of America’s Food.”
Heather Treseler reviews April Gibson’s “The Span of a Small Forever” and Alice Notley’s “Being Reflected Upon.”
Ian Ellison reviews Brian K. Goodman’s “The Nonconformists: American and Czech Writers Across the Iron Curtain.”
Ed Simon reviews Mohamed Amer Meziane’s “The States of the Earth: An Ecological and Racial History of Secularization.”
Ryan Coleman reports from the Los Angeles Festival of Movies.
Alyx Vesey bemoans the cancellation of HBO Max’s series about a female hip-hop duo, “Rap Sh!t.”
Renee Hudson reviews Xochitl-Julisa Bermejo’s “Incantation: Love Poems for Battle Sites.”
Svetlana Satchkova reviews Sasha Vasilyuk’s “Your Presence Is Mandatory.”