Poet of the Unbearable: On Marie Howe’s “New and Selected Poems”
Alice Courtright reviews Marie Howe’s “New and Selected Poems.”
Alice Courtright reviews Marie Howe’s “New and Selected Poems.”
Enzo Escober reviews Julio Torres’s body of work, but most of all, his debut feature, “Problemista.”
Brittany Menjivar forgoes turkey legs and opts instead for a taste of pulled pork and momento mori at the Renaissance Faire.
In an excerpt from LARB Quarterly no. 41, “Truth,” Sarah Yanni accounts for what she left behind when she called off her wedding—and what she...
Lydia Eno interviews Eileen Myles for the 30th anniversary of “Chelsea Girls.”
Copydesk chief A. J. Urquidi ponders urban doom loops, world peace, and sacred riffage at the Helmet and Cro-Mags show in Los Angeles.
Peter B. Kaufman reviews Peter Pomerantsev’s “How to Win an Information War: The Propagandist Who Outwitted Hitler.”
Jamal Batts reviews Robeson Taj Frazier’s “KAOS Theory: The Afrokosmic Ark of Ben Caldwell.”
Emily VanKoughnett cuts through the exquisite bullshit and watches Mannequin Pussy create a kind of heaven at the Fonda Theatre.
Elizabeth Alsop explores the ubiquity—and limitations—of the “trauma backstory.”
Devin Thomas O’Shea reviews Austin Frerick’s “Barons: Money, Power, and the Corruption of America’s Food.”
Ryan Shea revisits Guillermo Gasió’s 1988 anthology “Borges en Japon, Japon en Borges.”
Whitney Mallett talks with Geoffrey Mak about his new book “Mean Boys: A Personal History” and trauma plot trends in recent writing.
Heather Treseler reviews April Gibson’s “The Span of a Small Forever” and Alice Notley’s “Being Reflected Upon.”
Ian Ellison reviews Brian K. Goodman’s “The Nonconformists: American and Czech Writers Across the Iron Curtain.”
Scholar Randol Contreras joins Kate Wolf and Eric Newman to discuss his new book “The Marvelous Ones: Drugs, Gang Violence, and Resistance in East...