American Psychos: On “Vanderpump Rules”
Philippa Snow examines the anti-heroism offered by Bravo’s reality show “Vanderpump Rules.”
Philippa Snow examines the anti-heroism offered by Bravo’s reality show “Vanderpump Rules.”
Eliana Rozinov revisits Jane Campion's “A Girl’s Own Story” and “The Piano” on the 30th anniversary of the latter film.
Patrick A. Howell and Gennike A. Mayers write about the history of interchange between hip-hop music and the Caribbean Community.
Christopher Newfield argues that we need a new narrative to combat the US Supreme Court’s right-wing story about racial inequities.
Deborah Coen shows how historians miss a great deal when they rely on the quantitative tools of scientists.
Elizabeth L. Silver discusses four important court cases that have defined the landscape of women’s rights in the United States.
Jason Christian visits George Orwell’s birthplace in India.
Lori Marso looks at “Priscilla” within Sofia Coppola’s white girl oeuvre.
Crispin Sartwell argues that the Occupy leader seemed to be moving from anarchism to liberalism before his death.
Jonathan Alexander considers the work of Black, queer photographer Darrel Ellis, whose work is receiving renewed attention.
Sadie Sartini Garner meditates on mortality, music, and Christianity for LARB Quarterly, no. 40: “Water.”
Michael Dango dissects the history and stakes of Madonna studies.
Reflections from a former student of Pope.L on his artistic practice.
Julie Park reflects on the process of bringing out her book on the 18th-century camera obscura.
Terry Nguyen explores blue essays for LARB Quarterly, no. 40: “Water.”
A tribute to Palestinian writer and activist Refaat Alareer by poet and scholar Mosab Abu Toha.